३4०० ईसापूर्व, भारत. अलगावों से अयोध्या कमज़ोर हो चुकी थी. एक भयंकर युद्ध अपना कर वसूल रहा था. नुक्सान बहुत गहरा था. नुक्सान बहुत गहरा था. लंका का राक्षस राजा, रावण पराजित राज्यों पर अपना शासन लागू नहीं करता था.

ग़ज़नी के महमूद और उसके बर्बर तुर्क गिरोहों के लगातार हमलों ने भारत के उत्तरी इलाकों को कमज़ोर कर दिया था। हमलावरों ने उपमहाद्वीप के बहुत बड़े इलाके को बर्बाद करने के लिए छीना-झपटी, हत्या.

It is an irony of fate that despite being an extremely important and immortal character in the saga of Mahabharata, Ashwatthama has always been neglected. There are other characters in puranic literature, including Ashwatthama, who are considered immortal. But where other characters have received immortality in the form of a boon, Ashwatthama received in the form of a curse!

कहानियां मनोरंजक और आनंदप्रद दोनों हो सकती हैं। वे अंतर्दृष्टि और ज्ञान से भरी हो सकती हैं, ख़ासकर जब उन्होंने सदियों से पीढ़ी दर पीढ़ी सफ़र किया हो, और हर पुनर्कथन के साथ नए अर्थ अपनाए और छोड़े हों।.

2017, Delhi – Vidyut’s dying ancestor summons him to Banaras. The old Brahmin chieftain of the Dev-Raakshasa Matth, or the God-Demon Clan, bears a chilling secret. Their bloodline carries an ancient curse that will plague mankind - towards its own violent extinction. 1700 BCE, Harappa – Harappa is a magnificent city on the banks of the mighty Saraswati river. The darkness of treachery, taantric exorcism and bloodshed unleashes itself on the last devta, paving the way for his devastating revenge…and the horrifying truth behind the fall of the glorious civilisation.

The Mahabharata endures as the great epic of India. But while Jaya is the story of the Pandavas, told from the perspective of the victors of Kurukshetra, Ajaya is the narrative of the ‘unconquerable’ Kauravas, who were decimated to the last man. At the heart of India’s most powerful empire, a revolution is brewing. Bhishma, the noble patriarch of Hastinapura, is struggling to maintain the unity of his empire. On the throne sits Dhritarashtra, the blind King, and his foreign-born Queen - Gandhari.

रस्किन बाॅन्ड ने एक बार कहा था कि वे भूत-प्रेत में विश्वास नहीं करते लेकिन उनको हर समय, हर जगह भूत नज़र आते -जंगल में, सिनेमा के बाहर भीड़ में और बार में।

अंदलुशिया में रहनेवाले एक आम चरवाहे सैंतियागो की ये कहानी स्पेन से होते हुए मिस्र के रेगिस्तान जा पहुँचती है।

From a renowned historian comes a groundbreaking narrative of humanity’s creation and evolution - a number one international best seller - that explores the ways in which biology and history have defined us and enhanced our understanding of what it means to be “human”.

The story of Ravana and his people has been told innumerable times. This is the Hindi translation of the number one national best seller. This saga is of victory and defeat - a story that has been tainted by India's oppressed and exploited caste for 3,000 years. Unlike the Ramayana, the story of Ravana has never been told so far. But now it's time to speak for the dead and the defeated.

One of the three Gods of Trinity in Hinduism is Lord Vishnu, also called the Lord of the world. In mythological texts, Vishnu is considered as the 10 incarnations of Dashavtar. Shri Ram and Shri Krishna are his most important incarnations. Vishnu's residence is in two different places: in the world, in Baikunth, and second, in the Kshir-Sagar, where he is seated on the eternal balance. In Bhagavad Gita, Vishnu has been considered as Vishwaroop or Virat Purusha. This book attempts to unlock the seven secrets of Vishnu that are relevant even in modern times.

अमर भारत में अमीश तीक्ष्ण लेखों, गहन वक्तव्यों और बौद्धिक चर्चाओं की श्रृंखला के माध्यम से भारत को एक नए रूप में समझने में आपकी मदद करते हैं। धर्म, पुराण, परंपरा, इतिहास, समकालीन सामाजिक आदर्शों.

Malgudi Ki Kahaniyan (Hindi) is a set of stories that are based in the fictional town of Malgudi. The town of Malgudi is a South Indian village created by the author and offers a valuable peek into the quality of rural life during the pre-independence era. The characters in these stories come from different walks of life, and each has a unique tale to tell. These stories have characters such as astrologers, postmen, doctors, beggars and priests.

The only hope for the Suryavanshis is an ancient legend: ‘When evil reaches epic proportions, when all seems lost, when it appears that your enemies have triumphed, a hero will emerge.’ Is the rough-hewn Tibetan immigrant Shiva really that hero? And does he want to be that hero at all? Drawn suddenly to his destiny, by duty as well as by love, will Shiva lead the Suryavanshi vengeance and destroy evil?

द्रौपदी महाभारत ही नहीं, भारतीय जीवन तथा संस्कृति का एक अत्यन्त विलक्षण और महत्वपूर्ण चिरत्र है-परन्तु साहित्य ने अब तक उसे प्रायः छुआ नहीं था।