
Red
Failed to add items
Sorry, we are unable to add the item because your shopping basket is already at capacity.
Add to cart failed.
Please try again later
Add to wishlist failed.
Please try again later
Remove from wishlist failed.
Please try again later
Follow podcast failed
Unfollow podcast failed

2 credits with free trial
1 credit a month to use on any title to download and keep
Listen to anything from the Plus Catalogue—thousands of Audible Originals, podcasts and audiobooks
Download titles to your library and listen offline
₹199 per month after 30-day trial. Cancel anytime.
Buy Now for ₹166.00
No valid payment method on file.
We are sorry. We are not allowed to sell this product with the selected payment method
Pay using card ending in
By confirming your purchase, you agree to Audible's Conditions of Use and Amazon's Privacy Notice.
-
Narrated by:
-
Jonathan Groff
-
Alfred Molina
-
Written by:
-
John Logan
About this listen
The artist Mark Rothko has just hired Ken, an aspiring artist, to be his assistant and errand boy. Ken discovers that Rothko's temper can run hot, but as he gets to know his boss better, he finds that Rothko has opened him up to more than just painting.
A 2010 Tony Award winner for Best Play.
An L.A. Theatre Works full-cast performance featuring:<
ul>Directed by Bart DeLorenzo. Recorded by L.A. Theatre Works before a live audience.
Critic Reviews
RED John LoganRead by Alfred Molina, Jonathan GroffWhen the first sound effects punctuate the silence, listeners know they have joined a live audience to experience this L.A. Theatre Works staged reading. Ken, a young assistant to Abstract Expressionist painter Mark Rothko, is starting his first day in Rothko's New York studio. Jonathan Groff skillfully projects Ken's hesitancy as he tries to suss out his new job, and his bigger-than-life employer. Alfred Molina, as Rothko, IS bigger than life. He's huge, in voice and temper, and conveys Rothko's immense intellect and artistic vision. Listeners are immediately drawn into the power of this drama, and the script teaches and engages. The sense of being part of the live audience in wait for the next explosion of activity is palpable. A terrific example of the success of listener engagement in recorded plays. R.F.W. © AudioFile 2013, Portland, Maine [Published: NOVEMBER 2013]