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The Kingdoms

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The Kingdoms

Written by: Natasha Pulley
Narrated by: Theo Solomon
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About this listen

Bloomsbury presents The Kingdoms by Natasha Pulley, read by Theo Solomon.

For fans of Matt Haig, Stuart Turton and Bridget Collins, a sweeping historical adventure from the Sunday Times bestselling author, that takes us from French-occupied London to a remote Scottish lighthouse and back through time itself.

'Original, joyous and horrifying, The Kingdoms is an awe-inspiring feat of imagination and passion which had me in tears by the end' – Catriona Ward

Come home, if you remember.

The postcard has been held at the sorting office for ninety-one years, waiting to be delivered to Joe Tournier. On the front is a lighthouse – Eilean Mor, in the Outer Hebrides.

Joe has never left England, never even left London. He is a British slave, one of thousands throughout the French Empire. He has a job, a wife, a baby daughter.

But he also has flashes of a life he cannot remember and of a world that never existed – a world where English is spoken in England, and not French.

And now he has a postcard of a lighthouse built just six months ago, that was first written nearly one hundred years ago, by a stranger who seems to know him very well.

Joe’s journey to unravel the truth will take him from French-occupied London to a remote Scottish island, and back through time as he battles for his life – and for a very different future.

©2021 Natasha Pulley (P)2021 Bloomsbury Publishing Plc
Action & Adventure Alternate History Fantasy Genre Fiction Magical Realism Science Fiction

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Is it me or is the book too scattered? Spoilers!

The reader gives a whiny tone to Joe in the latter part of the book. It was irritating. I picked up a few discrepancies in the story which I am still confused about.....Why does Lawrence not recognize Joe as Jem when they meet again? Why does Jem appear so calm about losing his wife on the Kingdom to the French and never seems to care about his 12 year old son at all. I guess, we see Jem through Kite's eyes. Still it seems weird that there is no hint of angst about these people in Jem. Out of sight, out of mind?! Callous to say the least that the text doesn't contend for.

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