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The Mercies

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The Mercies

Written by: Kiran Millwood Hargrave
Narrated by: Jessie Buckley
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About this listen

The bestselling Richard and Judy Book Club pick and BBC Radio 2 Book Club Pick.

For readers of Circe and The Handmaid’s Tale, Kiran Millwood Hargrave's The Mercies is inspired by real historical events – a story about the strength and courage of women.

‘Dark, dramatic and
full of danger’ - Daily Mail

The storm comes in like a finger snap . . .

1617. The sea around the remote Norwegian island of Vardø is thrown into a vicious storm. A young woman, Maren, watches as the men of the island, out fishing, perish in an instant.

Vardø is now a place of women . . .
Eighteen months later, a sinister figure arrives. Absalom Cornet has been summoned to bring the women of the island to heel. With him travels his young wife, Ursa. In her new home, and in Maren, Ursa encounters something she has never seen before: independent women. But where Ursa finds happiness, even love, Absalom sees only a place flooded with a terrible evil, one he must root out at all costs . . .

A story about how suspicion can twist its way through a community, about a love that could prove as dangerous as it is powerful.

Gripping - Madeline Miller, author of Circe
Took my breath away’ - Tracy Chevalier, author of Girl With a Pearl Earring
‘A beautifully intimate story of friendship, love and hope’ - Douglas Stuart, author of Shuggie Bain
‘Something rare and beautiful’ - Marian Keyes, author of Again, Rachel
‘Chilling and page-turning’
- The Times

©2020 Kiran Millwood Hargrave (P)2020 Macmillan Publishers International Ltd
Friendship Genre Fiction Historical Historical Romance Paranormal Sea Adventures

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Fails to evoke empathy

This book is based on the real witch trials of the people living in a small island in Norway. While this in itself should have been enough to make readers feel sorrow and empathy, it doesn’t. The Mercies misses most of the marks - and is a far cry away from the author’s book The Dance Tree (which is infinitely better).

For one, the LGBTQIA+ romance - that is trademark for the author - doesn’t feel like an actual love story. Rather it felt to me like sexual/romantic transference due to the non-availability of the previous romantic partner for one of the protagonists.

For another, the actual witch trials aren’t really explored in depth. The pacing is too slow and there is too much focus on the protagonists’ inner monologues. The innocent daily life of the women - which would have been the source of the insidious accusations of witchcraft and devilry - weren’t given as much focus as they should have been.

Even the finale - an expected ending - seemed too rushed and squeezed into a tiny last chapter.

Overall, I didn’t really enjoy this book and feel the author’s other work, The Dance Tree, was infinitely better.

The narrator too seemed a little pretentious - I don’t know how “authentic” her Norwegian pronunciations are - but they ruined the flow of the book by making some sections very hard to understand. I had to rewind those parts multiple times to understand what the narrator was saying.

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