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The Mirror and the Light
- The Wolf Hall Trilogy, Book 3
- Narrated by: Ben Miles
- Length: 38 hrs and 11 mins
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Publisher's Summary
Shortlisted for the Women's Prize for Fiction 2020
Longlisted for the Booker Prize 2020
The long-awaited sequel to Wolf Hall and Bring Up the Bodies, the stunning conclusion to Hilary Mantel’s Man Booker Prize-winning Thomas Cromwell trilogy.
‘If you cannot speak truth at a beheading, when can you speak it?’
England, May 1536. Anne Boleyn is dead, decapitated in the space of a heartbeat by a hired French executioner. As her remains are bundled into oblivion, Thomas Cromwell breakfasts with the victors. The blacksmith’s son from Putney emerges from the spring’s bloodbath to continue his climb to power and wealth, while his formidable master, Henry VIII, settles to short-lived happiness with his third queen. Cromwell is a man with only his wits to rely on; he has no great family to back him, no private army. Despite rebellion at home, traitors plotting abroad and the threat of invasion testing Henry’s regime to breaking point, Cromwell’s robust imagination sees a new country in the mirror of the future. But can a nation, or a person, shed the past like a skin? Do the dead continually unbury themselves? What will you do, the Spanish ambassador asks Cromwell, when the king turns on you, as sooner or later he turns on everyone close to him?
With The Mirror and the Light, Hilary Mantel brings to a triumphant close the trilogy she began with Wolf Hall and Bring Up the Bodies. She traces the final years of Thomas Cromwell, the boy from nowhere who climbs to the heights of power, offering a defining portrait of predator and prey, of a ferocious contest between present and past, between royal will and a common man’s vision: of a modern nation making itself through conflict, passion and courage.
Critic Reviews
“You’ll frequently hit the rewind button to fully appreciate the many, many perfect passages.” (Irish Times)
“Actor Ben Miles played Cromwell in the Royal Shakespeare Company’s adaptations of Hilary Mantel’s Wolf Hall and Bring Up the Bodies, making him the perfect choice to narrate the remarkable final instalment in the Man Booker Prize-winning trilogy.” (Vogue)
What listeners say about The Mirror and the Light
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- Anonymous User
- 09-03-24
Amazing story with fantastic narration
Fantastic performance. Enjoyed every bit of it and never wanted it to end. It just transported you to that era and made you feel as if you witnessed it first hand.
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- Meena
- 21-05-20
Excellent
I wish I could read the other two books also narrated by the same person
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- Girish
- 18-04-20
Does not disappoint
“That's the point of a promise, he thinks. It wouldn't have any value, if you could see what it would cost you when you made it.”
Dear Ms.Mantel,
Did you not promise that there are no such thing as endings and that every ending is a beginning in Bring up the Bodies? And yet you went back on your words even when the decisive ending was every bit poetic. The afterword that in a few minutes - talks about the rest of the Tudor rule with 2 more queens for Henry, a short stint of Mary on the throne and the end of Tudor line with Elizabeth - pales away in comparison to the 38 hours of brilliance.
The book starts and ends with a beheading - a term that in itself is barbaric and in today's time associated with terrorism. But it is seen as a mercy that the victim is thankful for - that the swing of the axe is swift and you die in one blow. The difference - Anne Boleyn held to the last minute, a hope, that Henry will come and stop the beheading while Cromwell knows his king only too well. Did you know this when you started writing this book?
Despite being a dated event, the lead up to it is on the contrary a story of unstoppable ascension. After Anne Boleyn is dead, Cromwell feasts with the victors. The new queen Jane is thankful to Him, Mary(the king's daughter - not princess) looks to him as her only companion and the king Henry finds Him as his most trusted advisor. With unrest against the Christian ideas, people burnt for heresy - Cromwell has to get his hands dirty leaving the side of his beloved king. Soon he is the master secretary and then becomes Earl despite his non-noble blood. And you start fearing for him - about what he says and question his decisions.
Would this book have been of the same relevance, if Cromwell had died in his sleep in the ripe old age of 80? I keep going back to the ghosts that haunt him and the undead. The cardinal's daughter holds him responsible for the death of her father, while his own daughter finds him in the way of her calling. We see the frailty in his human nature - much more than when he lost his daughters in Wolf hall. His people, he has to take care of. He even sheds tears in front of his core team!
He is proud of his work, he is thinking of securing the future for his loyal people and he thinks he has mastered Henry - so much so that he is writing a book on handling a king. Was it pride and a sense of invincibility that was his undoing? Or was it his loyalty that his enemies decided to target?
Cromwell almost intentionally allows rumors to flourish as a means on empowerment. With no other version of Tudor rule, for me this will become the definitive version. I cannot imagine a version in which Cromwell is not acting in the best interest of the kingdom - even if it means against the king.
In your own words
“Sometimes it is years before we can see who are the heroes in an affair and who are the victims.”
When I interacted with you on BBC world for Bring up the bodies, I asked you if your process of writing is like that of Cromwell. And you said it had to be a voice that reads and you plan and write and write till you get it right. For something which has spanned almost 11 years - the results are I must say, exemplary. Take a bow, Ms.Mantel! For the entire series.
This is definitely worth the accolades it will fetch, the awards it will garner and, fingers crossed, even the hat-trick! And to top it all,I wish you that may it just be the beginning.
Cheers!
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- John Clayton
- 17-09-24
Excellent listen
This is one of those books that don't make for easy reading, and hence it is perfect in the audiobook format.
A word for the narrator Ben Miles, he has done excellent hob of it all, and I loved his reading, top notch work.
As for the series and this book, honestly wolf hall the first book in this trilogy is the best, with second and third feeling in parts were written by either a ghostwriter in parts and or the author perhaps forget how she created the character in the first book. But perhaps it could be the character/ characters changing over time, but still that would be my one miner quibble if any, but why I have rated this book as I have is because no matter the issues with this one, the ending makes it up for it all, and the author and her writing shines through as it was in the first book.
all in all, give it a listen, it's truly wonderful, especially if you found reading the book to be a bit tough.
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