Showing results for "Ivan Turgenev" in Anthologies

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Most religions also have 3 this and 3 that and, of course, in these more modern times, three’s a crowd may be too many, except when it’s a ménage à trois. It seems good things usually come in threes. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

This book contains the stories "Kasyan from the Beautiful Lands", "The End of Chertopkhanov", and "The Office" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

This audiobook contains the stories "My Neighbor Radilov", "Death", "The Clatter", "Meeting", and "Tatyana Borisovna and her Nephew" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

This book contains the stories "Loner", "Bezhin Lea", and "Bailiff" from the famous series "Hunting Sketches" by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

The book contains the stories "Hamlet of the Shchigrovsky District", "Khor and Kalinych" and "Pyotr Petrovich Karataev" from the famous series "Hunting Sketches", by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

This audiobook contains the stories "Chertopkhanov and Nedopyuskin", "Two Landowners", and "Yermolay and the Miller’s Wife" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

This book contains the stories "Lebedyan", "District Doctor", "Forest and Steppe", and "Lgov" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

This book contains the stories "Raspberry Water", "Living Relic", 'Famer Ovsyanikov", and "Singers" from the famous series Hunting Sketches by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

"The District Doctor" is a wonderful Turgenev short story that appealed and influenced American authors, such as Henry James and F. Scott Fitzgerald for its writing style, and Sherwood Anderson and Ernest Hemingway for its focus on moments. As the Doctor says to a new acquaintance, "Sometimes you know people for a long time and never talk about anything that touches the soul; sometimes you start there on the first conversation."

If you have ever wondered why doctors can sometimes seem detached and non-emotional, perhaps this short story from Russian author Ivan Tergenev can help explain. This is part confession, part love story, and filled with regret. This memorable tale also shows that it may be easier to share a confession with a complete stranger.

Ivan Sergeyevich Turgenev (1818-1883) was a Russian author, translator, and popularizer of Russian literature in the West. "Mumu" is about Gerasim, a deaf-mute serf whose life of poverty is brought into sharp relief by his love for a dog he rescues from drowning. His wealthy old mistress sees the dog Mumu and wants it but Mumu bares her teeth at her, and tragedy follows.

Here is the brilliant story "Mumu" (1854) by the great Russian writer Ivan Sergeyevich Turgenev (1818-1883).

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

Russian literature exudes an atmosphere of mysticism, which is said to be a natural result of the simplicity of her people. Often, instead of being "about" anything, Russian stories sometimes seem to be the "thing" in itself. Be this as it may, it is an undeniable fact that with hardly any portent of future greatness to come, Russian literature suddenly sprang fully developed into existence in the 19th century.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Some you may disagree with but they will get you thinking; about our choices and about those you would have made. If this volume takes you on a path to discover more of these miniature masterpieces then we have all gained something.

The world since earliest times has always had spies. Information is a valuable commodity and even more so in times of war or tension. Many authors and poets have had real life incarnations as spies from Christopher Marlowe and Aphra Behn to Daniel Defoe. But it’s a dangerous game. Working in a murky, secretive world where any trust given could be at the expense of your life.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. The Russian Literary Tradition has justly earned a magnificent reputation. The Russian Empire of the Czars was a huge and disparate patchwork of peoples ruled by an overbearing elite that employed a middle-class bureaucracy to keep the working class firmly underfoot. Within its vaulted ranks are a role call of many of the greatest literary talents of the ages.

Sadness can be about so many things from places to people, from thoughts to actions. Our classic authors including Arnold Bennett, James Joyce, Willa Cather, Joseph Conrad, Ivan Turgenev and many others use their pens and stories to demonstrate the many ways this feeling can take a hold of lives and its consequences.

When we read or listen, words can have a transforming effect. Our mood can alter in the space of a few sentences from joy to sadness. And not just our mood. These words can affect us physically, they can engage our emotions and even in their sadness bring a lump to our throat and tears to our eyes. Sometimes the relief can be palpable. Our authors, from Anton Chekhov, Stephen Crane, Willa Cather, Katherine Mansfield and a wealth of others, are well aware of what their talents will evoke. Genius has many names.