Showing results for "John Daly" in European

Keats commenced writing his epic poem, Hyperion, in 1818 and ceased working on it in the spring of 1819. He said that he gave the project up for having "too many Miltonic inversions." The unfinished poem, which ceases in the middle of the third canto, was published in 1820. The narrative is based on the Titanomachia, or War of the Titans, and describes the aftermath of their fall to the Olympian Gods.

Christopher Smart (1722-1771) was an English poet and scholar. This extraordinary poem, which is a florid display of Smart's opinions on a variety of theological, historical, and scientific subjects, was written between 1759 and 1763, while the author was confined in a lunatic asylum. His condition was diagnosed as religious mania, as evidenced by his compulsion to break into spontaneous prayer in public.

John Donne (1573-1631) is considered by many to be the finest poet of the Elizabeth Age after Shakespeare. Ironically, poetry was not Donne's dominant preoccupation. In his own day, he was better known as a scholar, and, in later life, a clergyman. His verse was composed sporadically and in an offhand fashion and appears not to have been subjected to revision. In spite of occasional solecisms, his poetic verbiage is vigorous and compelling and marked by a striking use of imagery.

Many of the short poems for which Keats has become famous were written in a burst of inspiration early in 1819, including these four odes: Ode to a Nightingale, Ode on a Grecian Urn, Ode to Psyche, and Ode on Melancholy. The generally melancholy and sometimes elegiac quality of these poems is reflective of Keats' inevitable preoccupation with his declining health. Another significant factor was his infatuation with Fanny Brawne, who returned his affection in an unfortunately non-exclusive manner.

As with many of Ostrovsky's plays, the target of the author's satire is the merchant class and the inevitable corruption associated with mercantile endeavors. In Ostrovsky's bitterly realistic world, all personal encounters end in transactions, some humourous and some tragic.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In this play, the dominant female is Fräulein Elfriede von Malchus, an idealistic crusader who visits a brothel operated by the cynical impresario Casti-Piani in order to rescue a young woman who has fallen into his clutches.

The Eve of St. Agnes was first published in 1820 in a collection containing many of Keat's best-known poems. Several of these were retellings of stories that were popular in the Middle Ages and earlier times.

Lamia is a narrative poem that reflects Keat's intensive exploration of Greek mythology. It first appeared in 1820 in a collection entitled Lamia, Isabella, the Eve of St Agnes and Other Poems. The poem describes the search of the god Hermes for a beautiful nymph, during which he encounters Lamia, who is trapped in the form of a serpent. At her fervent request, Hermes transforms Lamia into a human form and she departs to pursue a liaison with her lover, the glamorous Corinthian youth, Lycias.

Isabella, or the Pot of Basil (1818) is a poetic retelling of a story from The Decameron by Giovanni Boccaccio. The poem relates the sad fate of two victims of youthful love. The aristocratic and nubile Isabella is intended for marriage to an eligible suitor but falls in love with the plebeian Lorenzo. Isabella's brothers murder Lorenzo and bury his body, the location of which is revealed to Isabella by a ghost. She exhumes the body and re-inters the head in a pot of basil.