Showing titles in Biographies & Memoirs

Barbie kennen die meisten aus dem Fernsehen, von Social Media oder von ihren verschiedenen Podcastprojekten. Wir kennen sie als laute Stimme für Gerechtigkeit, als Host von Drag Race Germany, als HIV/AIDS Aktivistin und empathische Interviewerin. Doch wie wurde aus dem kleinen Jungen im Kleid die Drag Queen von heute? In knapp sieben Stunden durchschreitet Barbie die prägendsten Momente ihres Lebens und lädt ihre Hörer:innen dazu ein, ihr dabei ungeniert über die Schulter zu schauen.

Philippa Ryder's journey to embracing her true self as a transgender woman has left an indelible mark on Irish culture. Growing up as a boy in the 1960s, she felt out of place, drawn to dressing in her sister's and later her wife's clothes. It wasn't until the 1990s that she discovered she wasn't alone in these feelings. Navigating the challenging path of transitioning from male to female, 'My Name is Philippa' tells an extraordinary tale of love, understanding, and the unwavering support of a family who stayed united as Philippa transformed from husband and father to wife and mother.

An androgynous gender-bending musician from the get-go, Cidny Bullens toured extensively with Sir Elton John and performed with Bob Dylan, undergoing a complete immersion in the drug-fueled excesses of 1970s rock 'n' roll. Despite getting sober, climbing the charts with the Grammy-nominated Survivor, as well as a Grammy nomination for his lead vocals in the soundtrack for the movie Grease, Bullens was unable to break out as a solo star in a world that allowed its artists to cross the gender line, but had much more narrow expectations about how women could behave and perform.

Robert O’Brien loves cars. Growing up in Dublin, they provided a welcome refuge from the human interaction he found so difficult. His father’s race car, a BMW E30 M3 Sport Evolution he named the Beast, became his alter ego—powerful, admired, confident—and Robert began a quest to become a worthy owner. He completed a university degree, took courses to conquer his stutter and tried to come to terms with his sexuality. But still he remained more comfortable in the fantasy worlds of video games and television.

In this groundbreaking book spanning decades of artistic risk-taking, the inventor of “industrial music”, founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist with COUM Transmissions, Genesis P-Orridge (1950-2020) takes us on a journey searching for identity and their true self. It is the story of a life of creation and destruction, where Genesis P-Orridge reveals their unwillingness to be stuck—stuck in one place, in one genre, or in one gender.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

In January 2021, Steph Lentz was fired from her job as an English teacher at a Sydney Christian school after she came out as a lesbian. A hardcore Christian during her teens and 20s, Steph once preached against homosexuality and defended her church's conservative teachings about marriage and sex – that is, until she fell in love with a woman at her church and her world turned upside-down. In the midst of ongoing debates about religious freedom and discrimination against LGBTQIA+ people in Australia, Steph's story is timely and necessary.

Born and raised in New York to a food-phobic mother and food-fanatical father, Elissa was trained early on that fancy is always best. After a childhood spent dining everywhere from Le Pavillion to La Grenouille, she devoted her life to all things gastronomical, from the rare game birds she served at elaborate dinner parties in an apartment so tiny that guests couldn’t turn around to the eight timbale molds she bought while working at Dean & DeLuca, just so she could make tall food.

Pidgeon Pagonis always felt like their life was a constant attempt to fit in with other girls—a feeling that was only exacerbated when puberty failed to hit. They never understood why…until they uncovered the secret that had haunted their childhood.

By the age of twenty, Lucy Spraggan had already experienced more extraordinary things than many do across a lifetime. When her X Factor audition went viral in 2012, Lucy became the bookies' favourite to win the show. She was the first contestant ever to write and perform her own original songs, refusing to be pigeonholed by stylists and producers. Viewers fell for her unmanufactured, anti-pop princess stance, and the tabloids loved her. Then, suddenly, mid-way through the live shows, Lucy dropped out. The public were told Lucy was unwell.

Growing up in rural Oregon, Brandon Wolf grappled with the devastating loss of his supportive mother and with the embedded racism and homophobia of a community that made him feel like an unwelcome stranger. After the lack of connection and role models led him down a spiral of risky behavior, Wolf escaped to survive. In Orlando, he found what he’d been searching for: belonging—in a community that was a safe space with people he’d come to call his chosen family.

When Emmett de Monterey is eighteen months old, a doctor diagnoses him with cerebral palsy. Words too big for his 25-year-old artist parents and their happy, smiling baby. Growing up in South East London in the 1980s, Emmett is spat at on the street and prayed over at church. At his school for disabled children, he's told he will be expelled if the rumours are true, if he's gay; at his mainstream school, teachers refuse to schedule his classes on the ground floor, and he loses a stone from the effort of getting up the stairs.

Told over the first ten years, And Don't F&%k It Up tells a cultural history through the stories of the people who lived it: the creators of the show, the contestants, the crew, the judges, and even some key (famous) fans. It begins with RuPaul's decades-long friendship and business relationship with World of Wonder Productions, the entertainment company that helped launch him into superstardom, and later talked him into giving a drag reality show a chance.

As a journalist in London, William discovered the Eurovision Song Contest—an annual competition known for its extravagant performers and cutthroat politics. Initially just a fan, he started blogging about the contest, ultimately becoming the most sought-after expert on the subject. William was soon jetting across the continent to meet divas, drag queens, and aspiring singers, who welcomed him to their beautiful, if dysfunctional, family of choice.

After a decade-long relationship with a dominatrix he called Daddy, Emerson Whitney had begun to crave something besides submission. It came as a full surprise‚ submission had been so central to his early adulthood, to his trans identity. Dizzied by new questions of control and aging, and living in a tent while his relationship ends, Emerson stumbles upon an advertisement for a storm-chasing tour. For thrill seekers, it says. Unsure what else to do, he signs up.

Part trans woman’s coming-out story and part queer romance, My Body Is Distant is a memoir immersed in virtual worlds, where identity is fluid and fantasies proliferate, and where Maylott can escape her battle with cancer and the life-altering decisions she must make about the body she was born in and the person she really is.

Patrick Hinds has failed. A lot. In fact, he’s kind of an expert at it—which is why he’s uniquely qualified to say that failure is a good thing.

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

Garrard—filho de um pastor da igreja Batista, criado em uma cidadezinha conservadora no sul dos Estados Unidos—foi convencido pelos próprios pais a apagar uma parte de si. Em uma tentativa desesperada de agradá-los e de não ser expulso do convívio da família, ele quase se destruiu por completo, mas encontrou forças para buscar sua identidade e hoje é ativista contra as terapias de conversão.

Thirty years ago, a professor threw a chair at Sina Queyras after they’d turned in an essay on Virginia Woolf. Queyras returns to that contentious first encounter with Virginia Woolf to recover the body and thinking of that time. Using Woolf’s A Room of One’s Own as a touchstone, this book is both an homage to and provocation of the idea of a room of one’s own at the center of our idea of a literary life. How central is the room? And what happens once we get one? Do we inhabit our rooms? Or do the rooms contain us?