Showing titles in History & Criticism

Serenity Found takes the contents of Finding Serenity even further, exploring not just the show but the events of the film as well, to create an anthology that's even more thought-provoking, fascinating, and far-thinking than its predecessor.

Discover the science behind the most popular sci-fi franchise of all time. Capturing the imagination and hearts of crowds worldwide, Star Wars is a fantastic feat of science fiction and fantasy. We marvel at the variety of creatures and technology and the mystery behind the force. But how much of the Star Wars world is rooted in reality? Could we see some of the extraordinary inventions materialize in our world?

Ava is a tribute to a legendary life. Authors Kendra Bean and Anthony Uzarowski take a closer look at the Academy Award-nominated actress' life and famous screen roles. They also shed new light on the creation and maintenance of her glamorous image, her marriages, and friendships with famous figures such as Ernest Hemingway, John Huston, and Tennessee Williams.

From the ongoing podcast Movie Nightcap comes the Reserve Collection, a series of exclusive episodes featuring hosts Jill Tighe, Abe Saffer, and Nate Fisher. Each episode is a journey of discovery fueled by beer. The hosts are joined by special guests, and the conversations span from well-thought-out critiques to the most arbitrary and inane criticisms. As the night goes on, there is no telling where the discussion will go.

"I consider myself the luckiest man on the face of the Earth". On July 4, 1939, baseball great Lou Gehrig delivered what has been called "baseball's Gettysburg Address" at Yankee Stadium and gave a speech that included the phrase that would become legendary. He died two years later and his fiery widow, Eleanor, wanted nothing more than to keep his memory alive. With her forceful will, she and the irascible producer Samuel Goldwyn quickly agreed to make a film based on Gehrig's life, The Pride of the Yankees.

Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty.

At once a pop culture icon, cult figure, and film industry outsider, master filmmaker David Lynch and his work defy easy definition. Dredged from his subconscious mind, Lynch's work is primed to act on our own subconscious, combining heightened, contradictory emotions into something familiar but inscrutable. No less than his art, Lynch's life also evades simple categorization, encompassing pursuits as a musician, painter, photographer, carpenter, entrepreneur, and vocal proponent of Transcendental Meditation.

This collection of irreverent and surprising essays about the popular television series Buffy the Vampire Slayer includes pieces by leading science fiction and fantasy authors. Contributors include best-selling legend David Brin, critically acclaimed novelist Scott Westerfeld, cult-favorite vampire author Chelsea Quinn Yarbro, and award-winner Sarah Zettel.

He prepared therefore for the meditative journey that proves most excruciating in Limbo, a rounding through the past, a trip back! It is a venture full of perils. To meditate on TV might prove equal to writing a recollection of an enemy one has never met and cannot quite believe in. Indeed, how to conceive of an enemy who is without personal animosity? It was like writing a memoir of an oxymoron. Limbo set its tasks.

Splatter Capital shows how a subgenre of cinematic horror has developed a unique perspective on the cycles of capitalism. It argues that the messy brand of horror mobilized in gore or "splatter" films is extremely responsive to the internal contradictions that threaten the future sustainability of capitalist accumulation. And, while responding to the prospect of that end, splatter promotes an extant truth: capitalist accumulation is and always has been a nightmare of systematized bloodshed.

Joss Whedon has much to teach his fans, as he unfurls epics of sacrifice and heroism for superheroes and ordinary people. Whedon offers lessons to improve the world and our roles within it. This book compares themes, motifs, and archetypes across all his works, teasing out the common threads and the messages within

Narrating his riveting memoir, beloved actor Dick Van Patten reflects on his prolific career, vibrant life, and the people who shaped both. From growing up during the Great Depression when poverty and racially biased ideologies dominated America, to witnessing the advent of television and its subsequent influence on culture, Dick Van Patten's life is a rich record of change and progress in America and Hollywood.

Firefly's early demise left fans with a deep sense of loss and plenty of unanswered questions. From what was wrong with the pilot to what was right with the Reavers, from the use of Chinese to how correspondence between Joss and network executives might have gone, from a philosopher's perspective on "Objects in Space" to a sex therapist's analysis of Inara, Finding Serenity is filled with writing as exciting, funny, and enthralling as the show itself.

It's one of the most revered movies of Hollywood's golden era. Starring screen legend Gary Cooper and Grace Kelly in her first significant film role, High Noon was shot on a lean budget over just 32 days but achieved instant box-office and critical success. It won four Academy Awards in 1953, including a best actor win for Cooper. And it became a cultural touchstone, often cited by politicians as a favourite film, celebrating moral fortitude.

Negli ultimi anni abbiamo assistito all'ascesa irresistibile delle serie TV, un genere tradizionalmente considerato di serie B che oggi raggiunge spesso il prestigio e la considerazione che tradizionalmente venivano riservati al cinema. E non c'è sa stupirsi se le trame e le riprese sono sempre più curate, e gli attori migliori fanno a gara per partecipare a questi format televisivi.

Défier les lois de la physique avec "Ant-Man", et celles de l'anatomie avec "Godzilla". S'aventurer aux abords d'un trou noir... et y plonger avec "Interstellar". Communiquer avec les aliens comme dans "Premier Contact". Se retrouver seul sur Mars et tenter d'y survivre. Étudier Prometheus et s'interroger sur l'origine et l'évolution des espèces extraterrestres.

In the tradition of Neil Postman's masterpiece Amusing Ourselves to Death, Audience of One shows how American media have shaped American society and politics, by interweaving two crucial stories. The first story follows the evolution of television from the three-network era of the 20th century, which joined millions of Americans in a shared monoculture, into today's zillion-channel, internet-atomized universe, which sliced and diced them into fractious, alienated subcultures. The second story is a cultural critique of Donald Trump. 

When Anna Broinowski learned that fracking had invaded downtown Sydney, she had a brilliant idea: she would seek guidance for a kryptonite-powerful, anti-fracking movie from the world's greatest propaganda factory - apart from Hollywood. After two years of trying, she was allowed to make her case in Pyongyang and was granted full permission to film. She worked closely with the leading lights of North Korean cinema, even playing an American in a military thriller.

From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades.

>Born into the violence of South Bronx ghetto life, the comic pioneer of TV’s Good Times fame offers a hilarious and politically charged review of his career as one of television’s first hugely successful Black stars. From opening for the Black Panthers and getting his first Tonight Show spot to becoming the first “Black” TV sitcom star, having comedians David Letterman and Jay Leno writing jokes for him, recording number-one comedy albums, and opening for rock n’ roll bands in 50,000 seat stadiums, Walker’s career hit all the highs.