Showing results by narrator "Peter Silverleaf" in All Categories

The moments that it took Gavrilo Princip to step forward to the stalled car and shoot dead Franz Ferdinand and his wife were perhaps the most fateful of the modern era. An act of terrorism of staggering efficiency, it fulfilled its every aim: it would liberate Bosnia from Habsburg rule, and it created a powerful new Serbia, but it also brought down four great empires, killed millions of men and destroyed a civilization. What made a seemingly prosperous and complacent Europe so vulnerable to the impact of this assassination?

A Princess of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the first of his Barsoom series. It was first serialized in the pulp magazine All-Story Magazine from February-July, 1912. Full of swordplay and daring feats, the novel is considered a classic example of 20th-century pulp fiction. It is also a seminal instance of the planetary romance, a subgenre of science fantasy that became highly popular in the decades following its publication.

The words of the missionary hymn I had sung as a schoolboy in chapel came to my mind as I stood on the deck of the steamer Redolent, anchored just off the Port of Colombo. They were to prove singularly prescient. Under more usual circumstances, the experience of looking up into the star-studded sky whilst feeling the warm, moist tropical breezes caress one's face is a sensuous joy. Yet on that night, more than twenty years ago now, I had a profound sense of foreboding.

Colonel James Barclay needs the help of Sherlock Holmes. His exceptionally beautiful, but much younger, wife has disappeared and foul play is suspected. Has she been kidnapped and held for ransom? Or is she in the clutches of a deviant monster? Are thousands of pounds at risk? Are the household staff in on it? Will Holmes find her in time, and if he does, what then? The story is a tribute not only to the original mystery, The Crooked Man, but also to the biblical story of King David and Bathsheba.

"Animal Farm" is Orwell's classic satire of the Russian Revolution - an account of the bold struggle, initiated by the animals, that transforms Mr. Jones's Manor Farm into Animal Farm - a wholly democratic society built on the credo that All Animals Are Created Equal. But are they?

"The Yellow Face", one of the 56 short Sherlock Holmes stories written by Sir Arthur Conan Doyle, is the third tale from The Memoirs of Sherlock Holmes. It was first published in Strand Magazine in 1893 with original illustrations by Sidney Paget. Sherlock Holmes, suffering from boredom due to a want of cases, returns home from a walk with Dr. Watson early in spring to find he has missed a visitor but that the caller has left his pipe behind.

Tarzan vainly attempts to impress on his ape tribe the necessity of maintaining a strict watch against the hazards and perils surrounding them. To drive home the lesson, he dons a lionskin he has taken from Mbonga's village and suddenly appears among them, only to find them more vigilant than he had thought, as they mob him and nearly beat him to death. He is saved only by the courage of his monkey friend Manu, which he had also previously under-rated, who risks all to reveal to Teeka and Taug that the "lion" is actually Tarzan.

Two teenagers, a brother and a sister from a strict religious family disappear. The parents are alarmed but Scotland Yard says they are just off sowing their wild oats. A horrific, gruesome package arrives in the post and it becomes clear that a terrible crime is in process. Sherlock Holmes is called in to help. Passions and hatred going back many years are revealed. Holmes, Watson, and Lestrade must act quickly before young lives are lost.

Having been unsuccessful hunting, Tarzan robs the native village of some rotten elephant meat, which he eats. Becoming ill from the tainted meal, he has a horrible nightmare, in which he dreams himself menaced by a lion, an eagle, and huge snake with the head of a village native. He is carried off by a giant bird but wakes in the fall from its grasp, finding himself back in the tree where he'd gone to sleep. He realizes the incidents were not real. Subsequently attacked by a gorilla, he assumes that this too is a product of his fevered imagination, until actually wounded and hurt.

As part of his campaign of torment and trickery against the native village, whose members he holds responsible for his ape foster mother's death, Tarzan captures Rabba Kega, the local witch doctor, and puts him in a trap the natives have set to catch a lion. The next day the warriors find they have caught the lion, but it has killed the witch doctor. They take the lion to the village. Tarzan secretly releases it and appears among them dressed in the lionskin he had previously used to trick the apes. Dropping the disguise, he reveals himself and leaves.

Discovering bullet cartridges in his deceased father's cabin, Tarzan takes them with him as curios. Subsequently, Teeka is taken by an ape from another tribe, and Tarzan and Taug join forces to trail the kidnapper and rescue her. When they catch up, they are surrounded by the enemy tribe and nearly overwhelmed, until Teeka throws the cartridges at their foes in an apparently futile effort to help. When some of them hit a rock, they explode, frightening the hostile apes and saving her "rescuers".

Teeka and Taug have a baby (balu, in the ape language), which Teeka names Gazan and will not allow Tarzan near. She changes her mind after Tarzan saves the baby from a leopard.

Bukawai attempts to claim credit for Tibo's return and extort payment from the boy's mother, but is rebuffed. He plots vengeance against the native family and Tarzan, but is thwarted by the ape man. In this story Tarzan's life in the wild is contrasted with scenes from the civilized existence of his cousin in England, living the life he might have had had his parents not been marooned in Africa. The cousin does not shine in the comparison.

Jealous of Taug and Teeka's relationship with their baby, Tarzan kidnaps Tibo, a little boy from the neighboring village to be his own "balu". He tries with indifferent success to teach the terrified and homesick child ape ways. Meanwhile, Momaya, Tibo's mother does everything she can think of to find and recover her son, even visiting the hermit witch-doctor Bukawai, a terrible, diseased exile who keeps two fearsome hyenas as pets. He names a price for recovering Tibo she cannot afford, and she leaves disappointed.

Bukawai, finding Tarzan unconscious after a storm, takes the ape man captive and stakes him out for his hyenas to devour. Escaping, Tarzan leaves the witch doctor in the same trap, in which Bukawai suffers the very fate he had intended for his enemy.

Tarzan is taken captive by the warriors of a village of cannibals which has established a village near the territory of the ape tribe. He is saved from them by Tantor, the elephant.

"Tarzan and the Jewels of Opar" is a novel by American writer Edgar Rice Burroughs, the fifth in his series of twenty-four books about the title character Tarzan. It first appeared in the November and December issues of All-Story Cavalier Weekly in 1916, and the first book publication was by McClurg in 1918.

"The Son of Tarzan" is a novel by American writer Edgar Rice Burroughs, the fourth in his series of twenty-four books about the title character Tarzan. It was written between January 21 and May 11, 1915, and first published in the magazine "All-Story Weekly" as a six-part serial from December 4, 1915 to January 8, 1916. It was first published in book form by A. C. McClurg & Co. in March 1917 and has been reprinted numerous times since by various publishers.

"BOOK THE FOURTH: ISABEL": I come to the most evasive and difficult part of my story, which is to tell how Isabel and I have made a common wreck of our joint lives. It is not the telling of one simple disastrous accident.

Tarzan's courtship of the female ape Teeka ends in failure when her preference turns to their mutual friend, the male ape Taug. Tarzan wrestles with his humanness versus his ape-ness. The allusion to Helen of Troy enriches the story, making Tarzan and Taug's fight over Teeka take on symbolic proportions. Stan Galloway writes: "when Burroughs chooses to name Helen as an objective correlative for Teeka, he expects both literal and emotional connections to occur." Tarzan's final claim of the story - "Tarzan is a man. He will go alone." - echoes the plight of Adam in the Garden of Eden.