Showing results by narrator "John Moffatt" in All Categories

Carla Lemarchant was a child of five when her mother was accused and convicted of poisoning her father, the famous painter Amyas Crale. After Caroline Crale dies in prison, Carla is sent to live with her uncle and aunt in Canada. Only on her 21st birthday does Carla learn of her family history when she reads a letter written by Caroline before her death, in which she denies murdering her husband. But if her mother didn't kill Amyas Crale, who did?

A BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot, the great Belgian detective. Elinor Carlisle and Roddy Welman are the model English couple, perfect companions set for a life of ease when they inherit Aunt Laura's considerable fortune. But a poison pen letter begins a chain of events which is to end in tragedy.

A BBC Radio 4 full-cast dramatisation starring John Moffatt as the great Belgian detective. Hercule Poirot and his good friend Captain Hastings are enjoying a well-deserved break on the Cornish Riviera, in the idyllic village of St Loo. Wandering along the terrace of the Hotel Majestic on the first morning of their stay, Poirot literally falls at the feet of a pretty, dark-haired girl and, much to Hastings’ delight, insists that she join them for a cocktail.

BBC Radio 4 full-cast dramatisation starring John Moffatt as Hercule Poirot. When Poirot arrives in France, following an urgent appeal for help, he finds he is too late. His client, a South American millionaire, has been stabbed to death and his body flung into a freshly dug open grave on the golf course adjoining the property. Meanwhile the millionaire's wife is found bound and gagged in her room. Poirot launches an investigation and the baffling mystery begins to unfold.

Among the towering red cliffs of Petra, like some monstrous swollen Buddha, sat the corpse of Mrs Boynton. A tiny puncture mark on her wrist was the only sign of the fatal injection that had killed her. With only 24 hours available to solve the mystery, Hercule Poirot recalled a chance remark he'd overheard back in Jerusalem: 'You see, don't you, that she's got to be killed?' Mrs Boynton was, indeed, the most detestable woman he'd ever met.

This remarkable poem, dedicated to Queen Elizabeth I, was Spenser's finest achievement: the first epic poem in modern English. The Faerie Queene combines dramatic narratives of chivalrous adventure with exquisite and picturesque episodes of pageantry. At the same time, Spenser is expounding a deeply-felt allegory of the eternal struggle between Truth and Error.

Patrick Hamilton is renowned for his gritty, slice-of-life tales chronicling the hopes, dreams and obsessions of London's working class in the inter-war years. This collection brings together his key pieces, together with some lesser-known classics and a bonus 2004 documentary exploring his achievements and legacy.

Long before he'd produced any of his great works, Oscar Wilde was already famous for being famous. Armed only with some witty epigrams, a carefully crafted persona and his genius for self-promotion, he had conquered America and transformed himself from nobody to star. This radio collection opens with four plays from Radio 4's Born to be Wilde season, offering a 21st-century perspective on the making of one of the first true celebrities. First up are two sparkling and surprising productions of his two most popular comedies, marking the peak of his theatrical career.

This is a story from the Canterbury Tales II: Modern Verse Translation collection.

John Moffatt and Rosemary Leach star in this BBC Radio 4 production of Noël Coward’s patriotic play about the ups and downs of a working-class family between 1919 and 1939. This Happy Breed opens in 1919, when the Gibbons family have just moved to their smart new home in the suburbs of South London. Against a background of social change and national upheaval spanning twenty years, the family celebrate their own triumphs and deal with their personal traumas.

Here are some of the finest narrative poems in the English language, dating from an age of rich inspiration.

Maggie Smith and Jonathan Pryce star in William Wycherley’s raunchy Restoration comedy. Considered too obscene to be staged in its original form for nearly 200 years, William Wycherley’s bawdy comedy tells the tale of Mr Horner, a notorious rake who spreads the false rumour that he is impotent in order to gain free access to other men’s wives. When he meets the young, innocent Margery Pinchwife, the ‘country wife’ of the title, the scene is set for scandal.

These four works show Samuel Beckett at his most penetrating. Both Krapp's Last Tape (1958) and Not I (1972) are among the most striking pieces written for the theatre in the 20th century. An old man sits at a table, playing back old tapes made when he was younger, mixed glimpses of past feelings. In Not I, we have just a mouth expressing memories and torment in a torrent of words.

A haunting, magical fairy tale collection, in which Oscar Wilde beautifully evokes (amongst others) 'The Happy Prince', who was not so happy after all; 'The Selfish Giant', who learned to love little children; and 'The Star Child', who did not love his parents as much as he should.

Magical listening for young and old, narrated by John Moffatt.

Four more delightful tales from one of the most entertaining storytellers of all time. Though writing in the thirteenth century, Chaucer’s wit and observation comes down undiminished through the ages, especially in this accessible modern verse translation. The stories vary considerably from the uproarious Wife of Bath’s Tale, promoting the power of women to the sober account of patient Griselda in the Clerk’s Tale.

Samuel Taylor Coleridge, in collaboration with his friend, William Wordsworth, revolutionized English poetry. In 1798 they produced their Lyrical Ballads, poems of imagination and reflection using "the language of men" - pointing the way forward for a generation of Romantic poets.

Christmas brings out the best and the worst in us, as can been seen in this evocative anthology. Among what Thomas Love Peacock calls the "many poetical charms in the heraldings of Christmas," there are eulogies by saints and diatribes from curmudgeons. Here, Christmas is expounded by divines, sung by rustics, deplored by philosophers, made mystical in stories and summed up in a line by the poet Elizabeth Jennings: "The hush, the star, the baby, people being kind again."

Tristram Shandy is an ironic masterpiece, a work of extraordinary originality, wit, and learning. It is a work of considerable philosophical complexity but at the same time it is just a piece of flim-flam; it has been called the longest shaggy dog story in English literature. It is both a classic novel and an anti-novel. It includes passages of seemingly serious theology - but it can also be read as an elaborate bawdy joke.