Showing results by narrator "Andre Dubus" in All Categories

Daniel Ahearn lives a quiet, solitary existence in a seaside New England town. Forty years ago, following a shocking act of impulsive violence on his part, his daughter, Susan, was ripped from his arms by police. Now in her 40s, Susan still suffers from the trauma of a night she doesn’t remember, as she struggles to feel settled, to love a man, and create something that lasts. Lois, her maternal grandmother who raised her, tries to find peace in her antique shop in a quaint Florida town but cannot escape her own anger, bitterness, and fear.

After their parents divorced in the 1970s, Andre Dubus III and his three siblings grew up with their exhausted working mother in a depressed Massachusetts mill town saturated with drugs and crime. To protect himself and those he loved from street violence, Andre learned to use his fists so well that he was even scared of himself. He was on a fast track to getting killed—or killing someone else—or to beatings-for-pay as a boxer.

In this heartbreakingly beautiful book of disillusioned intimacy and persistent yearning, beloved and celebrated author Andre Dubus III explores the bottomless needs and stubborn weaknesses of people seeking gratification in food and sex, work and love. In these linked novellas in which characters walk out the back door of one story and into the next, love is "dirty" - tangled up with need, power, boredom, ego, fear, and fantasy.

Passion and betrayal, violent desperation, ambivalent love that hinges on hatred, and the quest for acceptance by those who stand on the edge of society—these are the hard-hitting themes of a stunningly crafted first collection of stories by the bestselling author of House of Sand and Fog.

It is the summer of 1967. Leo Suther is about to turn 18. This is the summer that everyone has something to teach Leo. His father warns him that "life can turn on a dime." Allie, his girlfriend, wants to teach him about love. Her father, the local communist and civil rights organizer, lectures him on politics and carpentry. And Ryder, a family friend, wants to show Leo the magic of the harmonica, harp of the blues. However, when Leo's life threatens to come unglued, it's his mother's wisdom he turns to. Though she died before Leo was five, her voice lives on in her diaries and poems.

In Ghost Dogs, Dubus’s nonfiction prowess is on full display in his retelling of his own successes, failures, triumphs, and pain. In his longest essay, “If I Owned a Gun,” Dubus reflects on the empowerment and shame he felt in keeping a gun, and his decision, ultimately, to give it up. Elsewhere, he writes of a violent youth and of settled domesticity and fatherhood, about the omnipresent expectations and contradictions of masculinity, about the things writers remember and those they forget.

Tom Lowe’s identity and his pride are invested in the work he does with his back and his hands. He designed and built his family’s dream home, working extra hours to pay off the adjustable rate mortgage he took on the property, convinced he is making every sacrifice for the happiness of his wife and son. Until, in a moment of fatigued inattention, shingling a roof in too-bright sunlight, he falls. In constant pain, addicted to painkillers at the cost of his relationships with his wife and son, Tom slowly comes to realize that he can never work again.