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A collection of BBC Radio 3's iconic Shakespeare productions: three Roman plays with all-star casts including Gerard Murphy, Nicholas Farrell, Susannah York, Samuel West, Frances Barber and David Harewood. The plays included in this collection are: Julius Caesar, Coriolanus, and Antony and Cleopatra.

Rosalind, daughter of the deposed Duke Senior, is exiled from the court by her wicked uncle. Disguising herself as a young man and accompanied by her cousin Celia, she takes refuge in the Forest of Arden. In the forest Rosalind meets Orlando with whom she is in love, but her male disguise complicates matters, especially when Rosalind finds she has unwittingly attracted the shepherdess Phebe. But out of the confusion comes reconciliation and forgiveness, and all ends happily.

In this BBC full-cast production, Julius Caesar is triumphant after his victory over the sons of Pompey. But as bad omens and weather plague Rome, even his most loyal friends are starting to see the signs.... Political intrigue and fierce battle rage in this tense and dynamic production in which a country is torn apart under the legacy of Julius Caesar, 'the colossus'. Gerard Murphy, Stella Gonet, Samantha Bond and Nicholas Farrell star in Shakespeare's turbulent Roman history. 

All eight series of the comedy drama series set in a Donegal town in the 1950s and '60s. Ireland in the '50s, and the days of mass tourism and indoor plumbing have not yet come to rural Co. Donegal. But in the small, sleepy town of Ballylenon, change is coming, and trouble is brewing. A power struggle is under way for control of the town, with two rival forces aligned against each other.

The bohemian inhabitants of Marlborough Road lead lives of barely contained chaos, full of demands, distractions and domestic dramas. Fortunately, they have one person they can count on when things go wrong - Sally, their cleaning lady-cum-therapist.

Twelfth Night, nowadays one of Shakespeare's best-loved and most-admired comedies, was not always so regarded: Samuel Pepys saw the play three times in the 1660s and judged it 'silly'. Modern audiences, critics, and directors seem better attuned to its delicate counter pointing of romance and realism....