Canons

If he's in the right mood, divine Angus might grant you sight of your true love in a dream. You might even fall in love with him, but he'll never love you back. He's too busy making mischief, stealing the palace of the gods from his father, turning his enemies into pigs, and so forth - until he is trapped by his own romantic games, falls for an unattainable woman and is doomed to seek her forever. In 20th-century Scotland, Angus's troubled alter ego searches for his true family and identity.

The Myth of Atlas and Heracles retold and performed by Dick Hill and Susie Breck. Condemned to shoulder the world "for ever" by the gods he dared defy, freedom seems unattainable to Atlas. But then he receives an unexpected visit from Heracles, the one man strong enough to share the burden, and it seems they can strike a bargain that might release him. Jeanette Winterson asks difficult questions about the nature of choice and coercion in her dazzling retelling of the myth of Atlas and Heracles.

When Ariadne helped Theseus escape the Minotaur’s labyrinth with the aid of a ball of thread, she led the way for the bewildered victims of a twenty-first century Minotaur. Trapped in an endless maze of Internet chat rooms, a group of mystified strangers find themselves assigned obscure aliases and commanded by the Helmet of Horror, the Minotaur himself.

Human beings have always been myth makers. Karen Armstrong's concise yet compelling investigation into the history of myth takes us from the Palaeolithic period and the mythology of the hunters right up to the 'Great Western Transformation' of the last 500 years.

Ragnarok is the story of the end of the world. It is a tale of destruction of life on this planet and the end of the gods themselves. What more relevant myth could any modern writer find? As the bombs rain down in the Second World War, one young girl is evacuated to the English countryside. She is struggling to make sense of her new wartime life.