British Detective

On Christmas Eve, DCI Mackenzie Jones is called to a shooting at a remote farmhouse. Ralph Mallender believes his father lies dead inside. When three more bodies are discovered, it's clear a festive family gathering has turned into a gruesome tragedy. At first it seems like an open and shut case: a murder suicide committed by Ralph's volatile brother Cameron. Then new evidence makes Mack suspect the man who reported the crime is in fact the perpetrator. But Mack isn't the only one with a stake in the case.

When a long-serving Master at one of England's most prestigious public schools drowns in Bassenthwaite Lake, Detective Inspector Skelgill is summoned to investigate his apparent suicide. It soon becomes clear that senior members of staff are not all that they seem. As the school closes ranks, Skelgill realizes he is pitted against a sinister power struggle for control of its highly lucrative operation.

While attending a crime scene on the outskirts of Maidstone, DI Kay Hunter makes a shocking discovery. The victim has been brutally cut to pieces, his identity unknown. When more body parts start turning up in the Kentish countryside, Kay realizes the disturbing truth–a serial killer is at large and must be stopped at all costs. With no motive for the murders and a killer who has gone undetected until now, Kay and her team of detectives must work fast to calm a terrified local population and a scornful media. When a third victim is found, her investigation grows even more complicated.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

When a beautiful, wealthy student is found dead in her room in Oxford's most prestigious college, Detective Inspector Bridget Hart is called to investigate. The murdered girl appeared to have no enemies, yet was killed in a brutal and bloody assault. Haunted and driven by her own personal tragedy, newly promoted DI Bridget Hart has a lot to prove as she leads her first murder case. Her investigation uncovers a tangled web of lies, lust and ambition, and brings her into conflict with powerful interests.

When 14-year-old Zoe Johnson doesn't come home on a Monday night in early December, the alarm bells in Kings Lake Central police station do not ring straight away - after all, she's from the Dockmills, one of the toughest estates in the town. But for Detective Sergeant DC Smith, due to retire in just three weeks' time, there are some strange echoes of the case that has haunted him for the past 13 years. Maybe it's simply his over-developed sense of irony, or maybe, in his final days as a police officer, Smith must look once more into the eyes of a serial killer.

When a woman is abducted from a quiet suburban street and bundled into the back of a white van, the only witness to the crime is a child with a reputation for telling tall tales. The police doubt the girl’s story, except for Detective Karen Hart, who is determined to follow her instincts—perhaps because the shy little girl reminds her of the daughter she’s still grieving. When a playing card is found at the scene, Karen finds her first clue. And when a second card is found at the home of a missing woman, Tamara, Karen finds her victim.

The story opens with the apparently accidental drowning of a sixth form student in the Norfolk countryside. As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex-DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so.

London 1884. Electricity pioneer Simon Borthwick lights up Victorian London with a stunning illuminations display - then shoots himself in a hansom cab. Plucky Fleet Street reporter Penny Green witnesses the inventor's death and suspects the clue to his suicide lies in a mysterious letter he left behind. But can she persuade Inspector James Blakely of Scotland Yard that a crime has been committed? Borthwick isn't the only person who died that day, and Penny soon encounters a shadowy world which the police can't get close to.

As the mists roll over the fens and enigmatic lights twinkle in the distance, only the locals know their way along the hidden paths through the mysterious watery terrain of one of England's most beautiful and sometimes dangerous places. Detective Matt Ballard may have retired but there's still plenty going on in the fens to keep him busy. Someone trashes an old lady's garden and daubs her isolated cottage with hateful graffiti. Emilia Swain seems to be totally harmless, so why is she being targeted?

Change is afoot at Kings Lake Central police station. A most unexpected new detective inspector takes up his post this Monday morning, and the oldest detective in the place takes a momentous decision. Around them, other officers are considering their own situations, and even the building itself seems to be facing an uncertain future. But life and death go on, nevertheless, and by lunchtime someone will make a grim discovery on the Norfolk saltmarshes. A stranger seems to have suffered a slow and agonizing death out there.

A woman dies in a burglary in Fitzrovia. A man is murdered in an opium den in Limehouse. Gutsy Fleet Street reporter Penny Green suspects the two deaths are connected, but how can she prove it? The answer may lie in Whitehall where the India Office reaps the benefits of Britain's opium trade. But when Inspector James Blakely of Scotland Yard begins investigating, an unforeseen danger looms. Soon Penny is forced to act alone and is put to the ultimate test when her quest becomes personal.

Two weeks of rest and recuperation - that's what the doctor ordered. Detective Sergeant DC Smith could listen to some music, make some of his own, and maybe even catch up on his reading; he is almost looking forward to it. And then there is a knock on the door. It's only his next-door neighbor, but it is the beginning of a sequence of events that will bring him face to face with some of the darkest episodes and the most dangerous people from his own past.

Some say the Hotel Tempesta is cursed, but its owner, Mr. Gallo, refuses to believe it. When he's brutally murdered one night, the suspicion falls on his guests. Ten suspects in total. And Penny Green is one of them. Does Mr Gallo's murder have anything to do with the criminal mastermind on the run from America? Penny and Inspector James Blakely must negotiate a world of courtesans, stolen paintings, and secret codes to prove Penny's innocence and uncover the truth.

London, 1884. A culprit is on the run after a fatal poisoning in Bermondsey. It seems like a simple case for Penny Green to report on, until a series of macabre photographs is discovered. As the poisonings continue, Scotland Yard is convinced they have their suspect. It's not long before they're outwitted, and no one is safe. Penny and Inspector James Blakely must avoid the red herrings and track down the manipulative poisoner. But could there be more than one?

Mark Randall lay dead in a field near Lowacre long before Smith had done what he had to do in Belfast. By the time he went back to work, the investigation was well underway. "It's not my case," he says more than once, and he really doesn't need it to be; he has enough to think about as it is. But going around the Norfolk countryside dotting the i's and crossing the t's, speaking to the local farmers and the Brothers of St. Francis from Abbeyfields, Smith begins to suspect that the investigation might be heading in entirely the wrong direction.

When Matt Ballard was starting out his career, three boys were murdered in the same area, the remote and bleak Gibbet Fen. When the main suspect was killed in a hit-and-run, the killings stopped. But Matt was not satisfied that the real murderer had been caught. Over 25 years later, Matt gets a photo in an unmarked envelope. It's of the Gibbet Fen crime scene. And the picture was taken before the murder took place. More photos arrive, relating to the historic murders, as well as intimate pictures of Matt's very secret private life.

A series of disappearances are linked by one vital clue, and when a grave is uncovered in the woods, the sins of the past return with deadly consequences. A local community is devastated when dark secrets are revealed, and no one knows who to trust. Harriet Quinn will need all of her expertise to find a killer who hides in plain sight.

Detective Joseph Easter's daughter discovers a cottage hidden in some trees on a large fenland farm. Someone has been living there. The farm owner's wife has been receiving sinister pagan artifacts, including a witch's knife. Are they some sort of warning or message? Joseph and his daughter search the cottage and find an old satchel. Inside are photos of a beautiful girl, Jennifer Cowley. She went missing 15 years ago. She'd been stalked by a young man, who was convicted of her murder, even though her body was never found.

A young female soldier is found on Salisbury Plain, her throat cut and a bloody knife in her dead hand. Everyone assumes that she killed herself. But something doesn’t feel right to DI Ford; the whole scene seems staged. Convinced of foul play, and despite fierce opposition from the army brass and his own superiors, Ford launches a murder investigation.