Criticism Work

Perhaps you want to be nicer to yourself but don’t really know how to get there. Or maybe you’re someone who assumes self-criticism is a permanent part of your personality. Rest assured you’re not alone. Millions of people struggle with the toll that excessive self-criticism takes on their minds, energy levels, jobs, and relationships. And problems with self-talk vary dramatically from one person to the next: they can appear as mild but persistent inner criticism, full-blown self-loathing, or the pain of internalized oppression or abuse.

A concentrated study of Johann Sebastian Bach's creative output and greatest pieces, capturing the essence of his art.

Peter Cowie's book chronicles the life and the sixty-year film and stage career of Ingmar Bergman as he wrestles of themes of love, sex, and betrayal with the figure of Death hovering overhead. Blending biographical information with critical comment, Cowie presents a man whose life and work were intimately fused.

The first book dedicated solely to exploring his creative work, Man in the Music guides us through an unparalleled analysis of Jackson’s recordings, album by album, from his trailblazing work with Quincy Jones to his later collaborations with Teddy Riley, Jimmy Jam, Terry Lewis, and Rodney Jerkins. Drawing on rare archival material and on dozens of original interviews with many who helped bring the artist’s music into the world, Jackson expert and acclaimed cultural critic Joseph Vogel reveals what gave rise to an immortal body of work.

Have you ever wondered how off-key you are while singing in the shower? Or if your Bob Dylan albums really sound better on vinyl? Or why certain songs make you cry? Now, scientist and musician John Powell invites you on an entertaining journey through the world of music. Discover what distinguishes music from plain old noise, how scales help you memorize songs, what the humble recorder teaches you about timbre (assuming your suffering listeners don’t break it first), and more.

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

Psychotic Reactions and Carburetor Dung contains the wild and brilliant writings of Lester Bangs—the most outrageous and popular rock critic of the 1970s—edited and with an introduction by the reigning dean of rock critics, Greil Marcus.

Profiles offer revealing insights into what drove each individual to create the musical masterpieces - symphonies, concertos and operatic scores - that changed the direction of classical music and are still celebrated as masterpieces today. The audiobook introduces the key influences, themes and working methods of each individual, setting their works within a wider historical and cultural context.

What really is cancel culture? Blacklisting celebrities? Censorship? Until now, this has been the general consensus in the media. But it’s time to raise the bar on our definition— to think of cancel culture less as scandal or suppression, and more as an essential means of democratic expression and accountability. The Case for Cancel Culture does just that. This cultural critique from award-winning journalist Ernest Owens offers a fresh progressive lens in favor of cancel culture as a tool for activism and change.

The life of Franz Schubert has been a gift to romantically inclined biographers: the beautiful, brilliant, modest boy who sprang to fully fledged genius at the age of sixteen; the quintessential ‘artist in a garret’, entirely consumed by his art and living a hand-to-mouth existence in Vienna (home of Mozart, Haydn and Beethoven); the gentle, cheerful, convivial young man who prized friendship almost as highly as music itself; the unworldly poet from whom great music poured like water from a fountain; the unrecognized master who died almost penniless at the age of 31.

Since it first opened on Broadway in September 1964, Fiddler on the Roof has constantly been onstage somewhere, including five Broadway revivals, four productions on London's West End, and thousands of schools, army bases, and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film, and significant revivals.