Indigenous Nation

Many First Nations tribes communicate with the cultural and linguistic thought patterns found in their original tongues. The First Nations Version (FNV) recounts the Creator's Story—the Christian Scriptures—following the tradition of Native storytellers' oral cultures. This way of speaking, with its simple yet profound beauty and rich cultural idioms, still resonates in the hearts of First Nations people. Whether you are Native or not, you will experience the Scriptures in a fresh and new way.

Canada is not one nation, but three: English Canada, Quebec, and First Nations. Yet as a country Canada is very successful, in part because it maintains national diversity through bilingualism, multiculturalism, and federalism. Alongside this contemporary openness Canada also has its own history to contend with; with a legacy of broken treaties and residential schools for its Indigenous peoples, making reconciliation between Canada and First Nations an ongoing journey, not a destination.

Shortly before he died, Plenty Coups, the last great Chief of the Crow Nation, told his story - up to a certain point. "When the buffalo went away the hearts of my people fell to the ground", he said, "and they could not lift them up again. After this nothing happened." It is precisely this point - that of a people faced with the end of their way of life - that prompts the philosophical and ethical inquiry pursued in Radical Hope. In Jonathan Lear's view, Plenty Coups' story raises a profound ethical question that transcends his time and challenges us all.

Mohawk Interruptus is a bold challenge to dominant thinking in the fields of Native studies and anthropology. Combining political theory with ethnographic research among the Mohawks of Kahnawà:ke, a reserve community in what is now Southwestern Quebec, Audra Simpson examines their struggles to articulate and maintain political sovereignty through centuries of settler colonialism.

For years, Amy Thunig thought she knew all the details about the day she was born, often demanding that the story of her birth be retold. Years later, heavily pregnant with her own first child, she learns what really happened that day. It’s a tale that exemplifies many of the events of her early life, where circumstances sometimes dictated that things be slightly different from how they might seem–including what is meant by her dad being away for ‘work’ and why her legal last name differs from her family’s.

A sixth-generation North Carolinian, highly-acclaimed author John Ehle grew up on former Cherokee hunting grounds. His experience as an accomplished novelist, combined with his extensive, meticulous research, culminates in this moving tragedy rich with historical detail.

At just ten years old, Vanessa Turnbull-Roberts was forcibly removed – stolen – from her family, community and kinship systems. After eight years in various out-of-home care placements, Vanessa fled the system, reconnected with kin and returned to country for the very first time.

Based on a viral article, 21 Things You May Not Know About the Indian Act is the essential guide to understanding the Canadian legal document and its repercussion on generations of Indigenous peoples, written by a leading cultural sensitivity trainer. The Indian Act, after 141 years, continues to shape, control, and constrain the lives and opportunities of Indigenous peoples, and is at the root of many lasting stereotypes.

Judge, senator, and activist. Father, grandfather, and friend. This is Murray Sinclair’s story—and the story of a nation—in his own words, an oral history that forgoes the trappings of the traditionally written memoir to center Indigenous ways of knowledge and storytelling. As Canada moves forward into the future of Reconciliation, one of its greatest leaders guides us to ask the most important and difficult question we can ask of ourselves: Who are we?

Don’t Take Your Love to Town is a story of courage in the face of poverty and tragedy. Ruby recounts losing her mother when she was six, growing up in a mission in northern New South Wales and leaving home when she was 15. She lived in tin huts and tents in the bush and picked up work on the land while raising nine children virtually single-handedly. Later she struggled to make ends meet in the Koori areas of Sydney.

Deadfall tracks Charlie Yazzie, Thomas Begay, and Harley Ponyboy into unfamiliar territory. When a family member unexpectedly dies, a debilitating sense of loss overcomes our friends on the reservation. The ties that have bound them begin to unravel. What witch's evil is at work? Is the bond forever broken? Or is there a connection to the ancient past that might bring this malevolent aura to an end?

Are you familiar with the terms listed above? In Indigenous Writes, Chelsea Vowel, legal scholar, teacher, and intellectual, opens an important dialogue about these (and more) concepts and the wider social beliefs associated with the relationship between Indigenous peoples and Canada. In 31 essays, Chelsea explores the Indigenous experience from the time of contact to the present, through five categories - Terminology of Relationships; Culture and Identity; Myth-Busting; State Violence; and Land, Learning, Law, and Treaties.

Against the Odds chronicles Thomas R. Berger's significant contributions to Indigenous rights advocacy in Canada and the United States. Mid-career, Berger led the Mackenzie Valley Pipeline Inquiry, conducting over thirty community hearings in the Northwest Territories to ensure that First Nations' voices were heard. Later, he also led public hearings on the Alaska Native Claims Settlement Act.

Indigenous Justice is Book 10 in the Durvile True Cases series. In the spirit of truth and reconciliation and respectful of Indigenous cultural integrity, judges, lawyers, and law enforcement officers write about working with First Nations, Métis, and Inuit Peoples through their trials and tribulations with the criminal justice system. The stories are a mix of previously published essays from the True Cases anthologies with an equal number of new chapters by legal and law enforcement professionals.

When 17-year-old Jonah arrives in a new town – Patience – with his dad and younger brothers, it feels like a foreign place. A new town means he needs to make new friends - which isn't always easy. Especially when he's wrestling with his body image, and his memories of his mother.

Jamie lives in Dalton's Bay with Aunty Dawn and Uncle Bobby. He spends his downtime hanging out with his mates, Dally and Lenny. Mark Cassidy and his white mates - the Footy Heads - take every opportunity they can to bully Jamie and his friends. On Lenny's last night in town before moving to Sydney, after another episode of racist harassment, Jamie, Dally and Lenny decide to retaliate by vandalising Mark Cassidy's car. And when they discover the keys are in the ignition… Dally changes the plan.

Tressa Tarango's husband lost his soul somewhere on the cold high desert of the Navajo Reservation. She doesn't know who killed him and only by venturing among warring drug cartels can she exact the revenge to pacify his restless soul. Only she can ensure Luca's troubled spirit finds peace in the underworld. Though his murderous rampage will keep him from heaven—Tressa hopes she might yet secure him a higher place in hell.

An icy chill foretells a harsh winter for the Navajo people—and for perpetually down on his luck Harley Ponyboy the situation grows increasingly desperate. What evil is this that dogs his every step? When a lucky lottery ticket comes his way, Harley uses the new resources to search for a lost love—only to find she has fallen to appalling depths. His stubborn resolve to help puts him on a collision course with her abusive companion . . . and with his own mortality.

When the local trader is found murdered the only clue points directly at Lucy Tallwoman. The FBI sweeps in to discover a decades-old trail of deceit and betrayal as the darker days of Lucy's past come back to haunt her. The family decides they need help . . . and fast.

In this collection of deeply insightful and powerful essays, Chelsea Watego examines the ongoing and daily racism faced by First Nations peoples in so-called Australia. Rather than offer yet another account of ‘the Aboriginal problem’, she theorises a strategy for living in a society that has only ever imagined Indigenous peoples as destined to die out. Drawing on her own experiences and observations of the operations of the colony, she exposes the lies that settlers tell about Indigenous people.