Modern Horror

Do you believe that fear only haunts the distant bhoot bangla, crumbling fort or empty village streets? Surely, it can’t touch you now. You’ve distanced yourself from the darkness by living in the glare of city lights, hiding inside secure houses, comforted by a regular job. But what if fear has accompanied you into the modern world? What if it lives inside you, eating away at your heart and mind? After all, fear is just a ticking time bomb that explodes when you least expect it, leaving your reality...twisted.

After the loss of her mother, a woman returns to the San Fernando Valley only to uncover a haunting secret about her childhood friend. A visiting professor at a charming but strange California liberal arts college must face her past in order to protect her son. A sister, lost in the woods, confronts the dangerous truth about her brother, her stepmother, and herself. Rose's dog Wolfie has died, and three seductive women offer to help return him to her. But only if she will pay the price.

At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein. Obsessed with discovering "the cause of generation and life" and "bestowing animation upon lifeless matter", Frankenstein assembles a human being from stolen body parts. However, upon bringing it to life, he recoils in horror at the creature's hideousness.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War. 

Going to Cabin Green alone after the death of his fiancee was Ben's first mistake. His second mistake was tempting fate by saying, "There's no such thing as an evil building." Now he's caught in a nightmare of his own making deep in the woods of Northern Michigan. Even worse, a family history of mental illness makes it impossible for him to know if the ghosts haunting the cabin are real or all in his head. 

Over 100 years ago, a group of witches made their way from New England to Whitewater, Wisconsin, known as Second Salem. Others also made their way to the city and, through their ignorance, unleashed an evil entity. Three sisters, the Willoughby Witches, created an incantation strong enough to ensnare the demon. Lord Henry McDermott, college professor, anthropologist, and archaeologist, has yearned to learn more about the legend of the Willoughby Witches. Taking the summer off to research the folklore, Henry discovers that there is more waiting for him in Whitewater than just a story.  

In the wake of his parents' tragic deaths in a house fire, fourteen-year-old Richard Elauved has been sent to live with his aunt and uncle in the remote, insular town of Ballantyne. Richard quickly earns a reputation as an outcast, and when a classmate named Tom goes missing, everyone suspects the angry new boy is responsible for his disappearance. No one believes him when he says the telephone booth out by the edge of the woods sucked Tom into the receiver like something out of a horror movie. No one, that is, except Karen.

Guy is about to finish writing his breakthrough online article. He overheard the story by chance in a pub and it’s guaranteed to go viral - all he needs to do is persuade the World’s Unluckiest Man to talk to him. His best friend Larry’s quest for killer clickbait material has led him to a recently appeared shanty town in Glasgow, where he finds some kind of urban voodoo cult. Ex-cop Sam has already come face-to-face with the terrifying force behind both these phenomena, but he’s been trying to put it out of his mind.

When Annie marries widower Edward Stonehouse and arrives at Guardbridge, his estate on the Yorkshire moors, she thinks she has finally put darkness behind her. She is mistaken. Edward's sister, Iris, still lives in the family home. A taxidermist and medium, she urges Annie to watch out for black feathers - claiming that they mark the spot where a spirt has visited. At first, Annie dismisses her warnings. But, before long, she begins to feel haunted.

Harry Keogh is the man who can talk to the dead, the man for whom every grave willingly gives up its secrets, the one man who knows how to travel effortlessly through time and space to destroy the vampires that threaten all of humanity.

Svenska kulter består av skräcknoveller som skildrar en tillvaro ganska lik vår egen. Fast ändå inte. I Anders Fagers Sverige vandrar fasor mitt ibland oss lyckligt ovetande och andra världar med andra regler och härskare, existerar parallellt. Att läsa Svenska kulter är som att träda in i ett spegelland. Saker är bekanta, men samtidigt skruvade.

This is a story from the "Great Ghost Stories" collection.

The monsters of ancient mythology, folklore, and more contemporary urban legend have long captured the popular imagination. While most people in America today relegate monsters to just that - our imaginations - we continue to be fascinated by the unknown. Linda Godfrey is one of the country's leading authorities on modern-day monsters and has interviewed countless eyewitnesses to strange phenomena.

Frankenstein ou le Prométhée moderne est un roman fantastique de Mary Shelley. Il relate la création par un jeune savant suisse, Victor Frankenstein, d'un être vivant assemblé avec des parties de chairs mortes. Horrifié par l'aspect hideux de l'être auquel il a donné la vie, Frankenstein abandonne son "monstre". Mais ce dernier, doué d'intelligence, se venge par la suite d'avoir été rejeté par son créateur et persécuté par la société.

As the result of Victor Frankenstein's creation of a monster out of the remains of human corpses, a series of horrifying events occur. But who is responsible: the creature or his creator?

In the summer of 1816, Lord Byron and Percy Bysshe Shelley - the two great poets of their age - and a lovely 17-year-old named Mary Shelley were partying and reading ghost stories on the shores of Lake Geneva. They dared each other to come up with the scariest story. Young Mary was the only one to rise to the challenge, and she gave birth to the entire horror and science fiction genres by crafting a brilliant and chilling account of what it means to be human, what responsibilities we have to each other, and how far we can go in tampering with nature.

Frankenstein is infused with some elements of the Gothic novel and the Romantic movement and is also considered to be one of the earliest examples of science fiction. Includes introduction and commentary by Mary Shelley. Required reading for any fan of science fiction and horror genres. A classic.

During the rainy summer of 1816, the "Year Without a Summer", the world was locked in a long cold volcanic winter caused by the eruption of Mount Tambora in 1815. Mary Shelley, aged 18, and her lover (and later husband) Percy Bysshe Shelley, visited Lord Byron at the Villa Diodati by Lake Geneva in Switzerland. The weather was consistently too cold and dreary that summer to enjoy the outdoor holiday activities they had planned, so the group retired indoors until dawn.

Victor Frankenstein learns how to create life and creates a being in the likeness of man, but larger and more powerful than the average man. Frankenstein rejects the creature, and lives to regret his desire to create life, after it kills his brother William. Frankenstein is a warning against the "over-reaching" of modern man and the Industrial Revolution, alluded to in the novel's subtitle, The Modern Prometheus.