Modern Shakespeare

Don’t be intimidated by Shakespeare. These audiobook editions make the Bard’s plays accessible and enjoyable.

Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.

Rediscover the greatest love poetry ever written. Shakespeare’s sonnets are some of the nation’s favourite lines of verse, but the Elizabethan language can make it difficult to really understand them. Many guides offer to clarify the meaning, but lose the magic of the words by explaining them away. James Anthony has done something boldly different.

Don’t be intimidated by Shakespeare! These popular guides make the Bard’s plays accessible and enjoyable.

Don’t be intimidated by Shakespeare. These audiobook editions make the Bard’s plays accessible and enjoyable.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

Don’t be intimidated by Shakespeare. These audiobook editions make the Bard’s plays accessible and enjoyable.

Don’t be intimidated by Shakespeare. These audiobook editions make the Bard’s plays accessible and enjoyable.

A greater emphasis on situations than characters (this numbs the audience's connection to the characters, so that when characters experience misfortune, the audience still finds it laughable) A struggle of young lovers to overcome difficulty, often presented by elders Separation and re-unification Deception among characters (especially mistaken identity) A clever servant Disputes between characters, often within a family Multiple, intertwining plots. Use of all styles of comedy (slapstick, puns, dry humour, earthy humour, witty banter, practical jokes) Pastoral element (courtly people living an idealized, rural life), originally an element of Pastoral Romance, exploited by Shakespeare for his comic plots and often parodied therein for humorous effects Happy Ending.

Ever miss a prime opportunity for a snappy comeback or a perfect putdown? We all have, kicking ourselves later when we think of what we could have said. The well-aimed insult was never in better shape than when Shakespeare mastered the art of defining dramatic conflict with rapier wit rather than swordplay.