Music Industry

Resisting an irresistible force wears you down and turns you out. I know - I've been doing it for years. I may not have a musical gift of my own, but I've got a nose for talent and an eye for the extraordinary. And Marlon James - Grip to his fans - is nothing short of extraordinary. Years ago, we strung together a few magical nights, but I keep those memories in a locked drawer and I've thrown away the key. All that's left is friendship and work. I manage his career, but I can't seem to manage my heart.

John Denver said, “I have a producer who looks like an accountant, and an accountant who looks like a producer”. Soberly dressed, unflashy, and a trained classical musician, in the golden age of the music business, Milt Okun stood out by not standing out. His legacy does that for him. He discovered and launched John Denver, and mentored him throughout his career. He created arrangements for Peter, Paul and Mary that the trio performed for half a century. He brought Placido Domingo a crossover career that made him an international star beyond the world of opera.

In eight years Marlon James will be one of the brightest rising stars in the music industry. Bristol Gray will be his tough, no-nonsense manager. But when they first meet, she's a college student finding her way in the world, and he's an artist determined to make his way in it. From completely different worlds, all the things that should separate them only draw them closer. It's a beautiful beginning, but where will the story end?

From the unique perspective of the executive who discovered them, One Step Closer reveals how Brad Delson's college internship was a catalyst for a group of young musical visionaries, led by Mike Shinoda, which gave rise to a band that survived countless rejections, exceeded everyone's expectations but their own, and became the voice of a generation. This against-all-odds story chronicles the early days of Linkin Park, from their first demo and Whisky a Go Go performance as Xero, through their tireless efforts to perfect their iconic sound.

Sonic Warrior is a collection of insane-but-true stories from the career of rock radio legend Lou Brutus. Each chapter is a separate tale that careens around his 40-plus years of covering concerts, interviewing music's biggest stars, and influencing generations of radio listeners. Starting with the first show he attended and continuing to the present day, stops along the way include Live Aid in Philadelphia, the Arctic, Live Earth in London, and the New Jersey Turnpike.

The Victorians invented mass entertainment. As the 19th century's growing industrialized class acquired the funds and the free time to pursue leisure activities, their every whim was satisfied by entrepreneurs building new venues for popular amusement. Contrary to their reputation as dour, buttoned-up prudes, the Victorians reveled in these newly created "palaces of pleasure".

In recent years, narratives about the music industry tend to hew to a common theme: it was humming along for decades until the Internet and Napster came along and disrupted it. Key Changes shows that this view is incorrect: the industry was actually shaken up not once in the 1990s, but ten times over more than 100 years.

Music journalists Dean Budnick and Josh Baron chronicle the behind-the-scenes history of the modern concert industry. Filled with entertaining rock-and-roll anecdotes about The Rolling Stones, The Grateful Dead, Pearl Jam, and more - and charting the emergence of players like Ticketmaster, StubHub, Live Nation, and Outbox - Ticket Masters will transfix every concertgoer who wonders just where the price of admission really goes. This edition has an updated epilogue that covers recent industry developments.

Dorothy Carvello knows all about the music biz. She was the first female A&R executive at Atlantic Records and one of the few in the room at RCA and Columbia. Featuring never-before-heard stories about artists like Michael Jackson, Madonna, Steven Tyler, Bon Jovi, INXS, Marc Anthony, Phil Collins, and many more, this audiobook is a must-hear for anyone who has ever wondered what it's really like to be a woman in a male-dominated industry.

Chapter one of The Artist's Guide to Success in the Music Business. This chapter is regarding the music industry and you.

Continuing the ultimate guide to breaking into the music industry, welcome to Step 2 of our 4 step series. There can be no doubt that being signed to a record company can mean the difference between playing to a worldwide audience or only a dozen people in the local pubs and clubs. The competition to get that deal can be fierce, with unsigned bands and artists around the world vying for record company attention – with few actually achieving it.

One of the best ways to learn about what makes an artist or band successful is by going direct to the source and working within the music industry itself. This guide will teach you how to get your foot in the door of a record company and from there, make the most of the knowledge you’ll gain, finding out how to secure live gigs, discovering the best ways to promote yourself, or, best of all, learning what a record company looks for in a new act, and what you need to do to get a record deal.

Step 4 focuses on two aspects of working within the music industry – legality and that all important issue of making money. Should you choose to write all or even part of your own songs, we’ll take you through the principles of song writing, breaking it down into its various components of lyrics, melody, rhythm and harmony. We’ll give you some ideas of what to write about and look at how professional musicians come up with their ideas.

Someone is about to make a killing in the music industry. Why would songwriting legend Gideon Pike disappear just as his 30-year career turns a multimillion-dollar profit Music columnist Mick Sever goes looking for his missing friend Gideon in the gritty backrooms of Miami's nightclubs, dodging suicide speedboats and running from sniper fire. What surfaces is how the major players in the music industry are not making the headlines, but just pulling the strings that create them.

When 12-year-old Jensen Karp got his first taste of rapping for crowds at his friend's bar mitzvah in 1991, little did he know that he was taking his first step on a crazy journey - one that would end with a failed million-dollar recording and publishing deal with Interscope Records when he was only 19. Now, in Kanye West Owes Me $300, Karp finally tells the true story of his wild ride as "Hot Karl", the most famous white rapper you've never heard of.

Em Como a música ficou grátis, o jornalista Stephen Witt investiga a fundo a história secreta da pirataria de músicas na internet, partindo dos engenheiros alemães criadores do mp3,, passando por uma fábrica de CDs na Carolina do Norte da qual um funcionário chamado Dell Glover vazou cerca de dois mil álbuns ao longo de uma década e também pelo centro de Manhattan, onde o executivo Doug Morris dominou o mercado mundial do rap, e finalmente mergulhando nos redutos mais obscuros da web até um site ilegal quatro vezes maior do que a loja do iTunes.

For the first time, Appetite for Self-Destruction recounts the story of the precipitous rise and fall of the recording industry over the past three decades, when the incredible success of the CD turned the music business into one of the most glamorous, high-profile industries in the world - and the advent of file sharing brought it to its knees.

Benjamin "BeBe" Winans always knew he was born to be a Gospel singer. Growing up watching his four older brothers perform fueled his dream to be on stage, and as teenagers, he and his younger sister CeCe were offered the opportunity to move from Detroit to North Carolina and join the Praise the Lord Singers for The PTL Club, hosted by the eccentric Jim and Tammy Faye Bakker.

During the 1970s and '80s the music business was dominated by a few major labels and artists such as Michael Jackson, Bruce Springsteen, the Rolling Stones, Barbra Streisand and James Taylor. They were all under contract to CBS Records, making it the most successful label of the era. And, as the company's president, Walter Yetnikoff was the ruling monarch. He was also the most flamboyant, volatile, and controversial personality to emerge from an industry and era defined by sex, drugs, and debauchery.