Western Nonfiction

May 10, 1940. The Netherlands was swarming with Third Reich troops. In seven days it's entirely occupied by Nazi Germany. Joining a small resistance cell in the Dutch city of Haarlem were three teenage girls: Hannie Schaft, and sisters Truus and Freddie Oversteegen, who would soon band together to form a singular female underground squad.

The abolitionist legacies of Orville Brown and his son, Spencer, live on in this historic and daring 19th-century account. Journeying apart from each other, but with similar passion, Orville and Spencer's stories span virtually every major abolitionist event: from the battles of Bleeding Kansas and the establishment of the free-soil movement to the river wars of Memphis, Vicksburg, and Shiloh. Listeners will follow Orville west as he strikes out for Kansas Territory to help ensure its entry as a free state.

Art looting is commonly recognized as a central feature of Nazi expropriation. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories. Well-publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?