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Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. In 1916 his first book, ‘Windy McPherson’s Son’, was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense.

Winesburg, Ohio is a little-known masterpiece that forever changed the course of American storytelling. At the center of this collection of stories stands George Willard, an earnest young reporter for the Winesburg Eagle who sets out to gather the town’s daily news. He ends up discovering the town’s deepest secrets as one by one, the townsfolk confide their hopes, dreams, and fears to the reporter. In their recollections of first loves and last rites, of sprawling farms and winding country roads, the town rises vividly - and poignantly - to life.

Through 23 connected short stories, the author looks into the lives of the inhabitants of a small town in the American heartland. In a simple and intense style, these psychological portraits of the sensitive and imaginative of Winesburg's population are seen through the eyes of a young reporter-narrator, George Willard. Their stories are about loneliness and alienation, passion and virginity, wealth and poverty, thrift and profligacy, carelessness and abandon.

Winesburg, Ohio has the most memorable cast of characters in 20th-century fiction. Listeners will remember at least a few stories and their characters for the rest of their lives. Each of the 23 stories stands on its own. And each is also interwoven into the fabric of the book.

Winesburg, Ohio is Sherwood Anderson's masterpiece, a cycle of short stories concerning life in a small town at the end of the nineteenth century. In the perfectly imagined world of Winesburg, an archetypal small American town, Anderson reveals the hidden passions that turn ordinary lives into fonts of unforgettable emotions. Played out against a deceptively placid backdrop, Anderson's loosely connected stories coalesce, like chapters, into a powerful novel of love and loss.

Sherwood Anderson was cited by Hemingway, Fitzgerald, Cather, and others as a major influence in the writing of short stories. "Winesburg, Ohio" is a landmark work many of us encounter as students. Anderson, in many ways, is best experinced in audio. He believed stories were meant to be told, as they are in the stories themselves. These nine are his best: "Brothers", "The Door of the Trap", "The Dumb Man", "The Egg", "Motherhood", "The New Englander", "The Other Woman", "Seeds", and "War."

The Triumph of the Egg is a fictional panorama of a great region of our country, unfolded by a writer who - to quote the New York Times - "depicts life in the Midwest as Dostoevsky pictured the many colored life of Russia, with almost as wonderful a touch of genius, with a more concentrated and daring skill." This coveted 1921 collection is an example of what a book of stories can be when a writer of vision deals with the materials of American life.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. That same year his first book ‘Windy McPherson’s Son’ was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense. He also married a further two times.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. That same year his first book ‘Windy McPherson’s Son’ was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense. He also married a further two times.

Sherwood Anderson (1876-1941) was an American novelist and short story writer, famous for his highly subjective and self-revealing works. Self-educated, he became a successful copywriter and business owner in Cleveland and Elyria, Ohio. In 1912, Anderson had a nervous breakdown that led him to abandon his business and family to become a writer. This collection contains seven of his most haunting tales.

This is the tale of an historian who can write thousands of historical words, but can’t seem to connect with his wife. He can tell stories of significance, but finds it hard to speak to the one he is to love for life. The struggle he faces leads him to a type of madness at the paradox. He has a gift of words, but can’t give that gift to his wife.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

Attraverso la discesa sul Mississippi fino a New Orleans, Bruce si immerge nel ritmo languido del Sud, nel canto e nella vitalità della cultura afroamericana, che contrasta con l'alienazione del Nord industrializzato. Il ritorno a Old Harbor, paese della sua infanzia, e il lavoro umile in fabbrica diventano lo sfondo per una riflessione profonda sulla memoria, sul desiderio, sull'identità.

El joven George Willard, reportero del periódico local, observa la vida de los habitantes de su pequeño pueblo, Winesburg, en Ohio. La mirada del narrador construye, a partir de lo cotidiano y gris, un fascinante retrato humano, pulcro y detallado, de enorme realismo poético y finísima...

Told through many notes in four books and an epilogue, Sherwood Anderson’s memoir of Midwestern life and culture journeys through the author’s own imaginative world and through the world of facts. From Anderson’s childhood to his attempt to ingratiate himself with New York’s literary elite, A Story Teller’s Story is a unique look into the psyche of an American icon.

F. Scott Fitzgerald definió Muchos matrimonios una de las mejores novelas de Sherwood Anderson. El libro abraza la tesis del fracaso de la monogamia, es decir de la institución del matrimonio. Por esta razón fue vetado en muchas librerías de Estados Unidos y de Inglaterra y creó no pocos...

Hugh McVey is an inventor who moves from Missouri to Bidwell, Ohio. He creates a mechanical cabbage planter to ease the workload of farmers, but an investor exploits his product. His next invention, a corn cutter, makes him a fortune and transforms the small town in Ohio into a center of manufacturing. McVey, lonely and ruminative, meets Clara Butterworth, who attends Ohio State.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. In 1916 his first book, ‘Windy McPherson’s Son’, was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense.

In questo scrittore, definito anche padre della letteratura americana, troviamo quella scrittura di inizi novecento che si apre al flusso di pensieri, alla punteggiatura usata in modo anticonvenzionale, e che si collega alle scritture di Joyce, Wolfe, Stein, e di cui poi troveremo i frutti in Hemingway, Faulkner, e in Pavese, che ha tradotto questo romanzo. Uno spaccato della provincia Americana del 1926, dipinto da un impressionista della scrittura che fa aperti riferimenti alla pittura di Cezanne e Matisse.