Showing results by author "William Blake" in All Categories

At the end of his life, William Blake (1757-1827) gave up hope of being widely understood, but the twentieth century brought to his work a new and intense interest and acclaim.

With a dynamic spirit, these great English poets made a conscious return to nostalgia and spiritual depth. Each chose a different path, but they are united in a love of moods, impressions, scenes, stories, sights and sounds. In this collection of more than forty poems are some of the finest and most memorable works in the English language.

An anthology of over 60 classic love poems, read by some of our finest actors. Love has always been the supreme inspiration for poets, whether romantic or platonic, reciprocated or unrequited. This collection contains a range of the very best love poems, including Andrew Marvell's "To His Coy Mistress", Keats' "La Belle Dame Sans Merci" and Byron's "So We'll Go No More A-Roving" - as well as several sonnets from the master himself, William Shakespeare.

Dylan Thomas, C Day-Lewis and others join together on this unique album to read some of the world's finest poetry by Blake, Wordsworth and Tennyson.

This collection arguably contains some of the most charming lyrics ever written in English. Blake’s poems can be enjoyed, not only for their historical importance in an age which was fiercely proud of its genius and its traditions, but also for their simple and beautiful expression of “two contrary states of the human soul.” Songs of Innocence was originally a complete collection of twenty-three poems, first printed in 1789. In 1794, a composite collection entitled Songs of Innocence and of Experience, containing forty-seven poems, was published.

Dance with a lobster, telephone an elephant or knock on a moonlit door - this collection includes magical, macabre, dramatic, funny, bizarre, absurd, delightful, moving and charming poems by Lewis Carroll, A.A. Milne, Edward Lear, Hilaire Belloc, Kenneth Grahame and many others. Readers such as Anton Lesser, Simon Russell-Beale and Timothy West bring the lines beautifully to life and make this an ideal introduction to some of the best-loved children's poetry.

The period of English romantic poetry occurred roughly between 1800 and 1850 and was represented by poets such as William Blake, Lord Byron, Samuel Taylor Coleridge, John Keats, Percy Bysshe Shelley, and William Wordsworth. All of these poets are featured in this collection of more than 50 poems read by award-winning actors that include Joan Allen, Julie Christie, Stephen Fry, Glenda Jackson, and Jude Law.

Dictionaries summon up many words, but none fulfill. Love itself is often ethereal, felt but only seen in a glance, a look, a fleeting touch. Part of love’s beauty is perhaps in the fact that the question never can be adequately answered; it's ephemeral, a chimera of the heart and only felt. Our own experiences are unique and personal to ourselves and of little help defining it for another.

Songs of Innocence and of Experience is a collection of 45 poems by English poet William Blake. "Songs of Innocence" is the first part of the collection and appeared in 1789 with engraved illustrations by Blake. The second part, "Songs of Experience", also illustrated, was added in 1794 when Blake published the whole under the full title of Songs of Innocence and Experience Showing the Two Contrary States of the Human Soul.

The Marriage of Heaven and Hell by the English poet William Blake consists of a series of texts written in the style of biblical prophecy but expressing Blake's own beliefs. Composed between 1790 and 1793, the book makes reference to Milton and Swedenborg, and adopts a device from Dante's Divine Comedy and Milton's Paradise Lost: a visit to hell. Blake expresses a deliberately depolarized and unified vision of the cosmos in which the material world and physical desire are both part of the divine order.

It is often said that two things are unavoidable: death and taxes. Certainly the latter is a common thorn in adult life, but as to the former it seems that for many people it is merely a hiccup in life’s journey. A journey they wish, if being of good deed and character, to share at the eternity of heaven’s largesse, a reward for faith and the obligations of religion. Of course for those not so fortunate an altogether different experience was prepared for them: hell. Its nightmare visions are so terrifying, conjured up by Dante, Milton, Blake, Baudelaire and many others.

Romanticism was a new movement in philosophy and the arts that began in the late 18th century when major political events shook the world, such as the French Revolution and American independence. It marked a distinct contrast to the prevailing Enlightenment ideals and in poetry represented a more personal intuitive, emotional and meditative expression with a back-to-nature imperative. It subsequently altered the way in which we perceive poetry and beyond as well as defining our own modern sensibilities to the arts.

We all love animals, even if sometimes its only from afar on TV or at a zoo. But many of us have felt a closer friendship and companionship with our friends in the animal world. We talk and react to them as if they really do understand us. Perhaps they do. In this volume Hardy, Thackeray, Carroll, DH Lawrence, Emily Dickinson, and many others share their words with our ears.

Dame Edith Evans reads the poetry of Lord Byron, William Blake, and William Shakespeare amongst many others.

A delightful collection of classic poems that will delight young and old alike, including: "How Beauty Contrived to Get Square with the Beast" by Guy Wetmore Carryl, "How Little Red Riding Hood Contrived to Be Eaten" by Guy Wetmore Carryl, "How Rudeness and Kindness Were Justly Rewarded" by Guy Wetmore Carryl, "If No One Ever Marries Me" by Lawrence Alma TademaI’m, "Nobody, Who Are You?" by Emily Dickinson, "Lochinvar" by Sir Walter Scott, "The Akond of Swat" by Edward Lear, and more.

This is a diverting delight, a window on romance in literature. There are high lovers and low lovers, tragic lovers, comic lovers, and lovers who shouldn’t be doing what they are doing at all and certainly not then and there. There is even Fanny Hill trying not to discover what physical love is about when set upon by an old roué who has paid for the privilege. Though of special interest for lovers and their special lover’s day of St. Valentine, it is an amusing and sometimes surprising collection.

Summer beckons each and every one of us to its warm embrace. For many of us it is the season we can most enjoy; the days are long and warm and all manner of things become easier. Nature shows us her most colourful side as she fills the landscape with colours and textures of every hue. As for ourselves we all seem a little more approachable, a little more likable. For poets, the Summer season conjures up many themes and images.

America a Prophecy (1793) is the first book in Blake’s Continental Prophecies - the other two being Europe a Prophecy (1794) and The Song of Los (1795). The poem was engraved on 18 plates with illustrations by Blake, and survives in 14 known copies. Written during a time of great political and social upheaval, Blake uses his own complex invented mythology to explore the human need to resist tyranny. His verse is rich in metaphor, powerful, and apocalyptic in scope.

William Blake is now considered one of the giants of poetry. During his life, and for many years after, he was thought of as mad. His wide ranging skills not only encompassed poetry but bestrode the visual arts too, with paintings and printmaking. Unfortunately, he could never fit in to what society expected of him, and his attacks on religion did not help. But his work was the true measure of his worth and remains with us today.

"Poems of William Blake" includes: "Songs of Innocence", "Songs of Experience" and "The Book of Thel". All three are volumes of poetry by the English poet and painter, William Blake. "The Book of Thel" is a poem by William Blake, dated 1789 and probably worked on in the period 1788 to 1790. It was illustrated by his own plates, and is relatively short and easy to understand, compared to his later prophetic works. The metre is a fourteen syllable line.