Showing results by narrator "Gina Murray" in All Categories

In 1983, backstage at the Lyceum in London, Tracey Thorn and Lindy Morrison first met. Tracey's music career with the Marine Girls had just begun, while Lindy, drummer for The Go-Betweens, was ten years her senior. They became confidantes, comrades and best friends, a relationship cemented by activism and agitprop theatre, lesbian punk bands and rock 'n' roll love affairs. Morrison came to be a kind of mentor to Thorn, a strong female role model in a male dominated industry. They both faced a chauvinist music media wanting them to behave to type.

On entering Sarah Hall's world, we become travellers, suddenly. Our surroundings of farms and offices, seasides and cities, Turkish forests and English moors, shade into otherness: hazed by delirium, tinged with dream, fertile with the animal codes of the wild. Our lovers, friends, and parents go about their days warped by ruptures of brain and body, alternatively predator and prey, reborn in unexpected evolutions, and haunted by drownings and dictators, agitated hearts and sprouting wings, coffins and floods.

During the six long years of the Second World War the British psyche was changed irrevocably. British men and women on both the war front and at home were forced to take life-altering decisions, independently. What no-one could predict were the consequences on the family and on society of these independent journeys by husbands, wives, children, mothers, fathers, siblings. Nobody would ever be the same.