Showing results by narrator "Paul Morley" in All Categories

To write about Tony Wilson, a.k.a. Anthony H. Wilson, is to write about a number of public and private characters and personalities, a clique of unreliable narrators, constantly changing shape and form. At the helm of Factory Records and the Haçienda, Wilson unleashed landmark acts such as Joy Division and New Order into the world as he pursued myriad other creative endeavours, appointing himself a custodian of Manchester's legacy of innovation and change.

Paul Morley had stopped being surprised by modern pop music and found himself retreating into the sounds of artists he loved when, as an emerging music journalist in the '70s, he wrote for NME. But not wishing to give in to dreary nostalgia, endlessly circling back to the bands he wrote about in the past, he went searching for something new, rare and wondrous - and found it in classical music.

From the mid-1970s the humble 7-inch vinyl single was joined by a much grander relative - the 12-inch single. It reached its peak in 1983 with "Blue Monday", by New Order, probably the biggest-selling 12-inch single of all time. Music Journalist and co-founder of ZTT Records Paul Morley talks to Peter Hook of New Order about how "Blue Monday" was written, and to designer Peter Saville about the famous sleeve. Paul explores the origins of the 12-inch single as a potentially higher-quality format than the 7-inch single and visits Abbey Road studios to watch an engineer cutting a 12-inch single.