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Hailed as a bold foray into new literary territory, Kawakami’s novel is told in the voice of a 14-year-old student subjected to relentless torment for having a lazy eye. Instead of resisting, the boy chooses to suffer in complete resignation. The only person who understands what he is going through is a female classmate who suffers similar treatment at the hands of her tormenters.

On a hot summer’s day in a poor suburb of Tokyo we meet three women: 30-year-old Natsu, her older sister, Makiko, and Makiko’s teenage daughter, Midoriko. Makiko, an ageing hostess despairing the loss of her looks, has travelled to Tokyo in search of breast-enhancement surgery. She's accompanied by Midoriko, who has recently stopped speaking, finding herself unable to deal with her own changing body and her mother’s self-obsession. Her silence dominates Natsu’s rundown apartment, providing a catalyst for each woman to grapple with their own anxieties.

Award-winning Japanese author and poet Mieko Kawakami brings Ashes of Spring, a collection of short stories set in everyday life in Japan just before the pandemic lockdown.

Fuyuko Irie is a freelance copy editor in her mid-thirties. Working and living alone in a city where it is not easy to form new relationships, she has little regular contact with anyone other than her editor, Hijiri, a woman of the same age but with a very different disposition. When Fuyoku stops one day on a Tokyo street and notices her reflection in a storefront window, what she sees is a drab, awkward and spiritless woman who has lacked the strength to change her life and decides to do something about it.

In Heaven, a 14-year-old boy is tormented for having a lazy eye. Instead of resisting, he chooses to suffer in silence. The only person who understands what he is going through is a female classmate, Kojima, who experiences similar treatment at the hands of her bullies. Providing each other with immeasurable consolation at a time in their lives when they need it most, the two young friends grow closer than ever. But what, ultimately, is the nature of a friendship when your shared bond is terror?

Shortlisted for the 2014 Independent Foreign Fiction Prize. Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least 30 years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass, Tsukiko and Sensei come to develop a hesitant intimacy which tilts awkwardly and poignantly into love.

In one of the most acclaimed novels of recent years, Kazuo Ishiguro imagines the lives of a group of students growing up in a darkly skewed version of contemporary England. Narrated by Kathy, now thirty-one, Never Let Me Go dramatizes her attempts to come to terms with her childhood at the seemingly idyllic Hailsham School and with the fate that has always awaited her and her closest friends in the wider world.

Ein Brief, den ich Ihnen geschrieben habe, als ich im Krankenhaus war – "Ao over blue". Zwei Frauen, die sich in einem Luxushotel einem Vorstellungsgespräch unterziehen, um bezahlt zu werden – "Wenn Ihre Nase nur etwas größer wäre." Eine alte Frau im Sterben und eine Haushälterin mit großem Rücken – "Vase". Ein Schriftsteller mit genau demselben Geburtsdatum wie Sie begeht Selbstmord – "Ruf mich an, wenn Sie sich einsam fühlen." Meine Freundin und ich haben uns in eine Abendschule geschlichen und nach einem wichtigen Brief gesucht – "Blue Ink".