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Jane Austen commenced writing in her adolescence and continued right up to her untimely death in 1817. Her novels are reflections of the socially constricted world in which she lived, and the plots are built around the search of one or more young women for a suitable spouse. Austen’s works are noted for the perceptive elegance of her prose and for vigor and detail of characterization. Celebrated critic F. R. Leavis considered Austen as one of the four great English novelists, along with George Eliot, Henry James, and Joseph Conrad.

Few of Emily Dickinson’s poems were published in her lifetime. Her posthumous fame is largely due to the efforts of her editors and supporters Thomas W. Higginson and Mabel Loomis Todd.

Sir Pelham Grenville Wodehouse (aka PG Wodehouse) wrote in excess of 90 books, 40 plays, and 200 short stories between 1902 and 1974 and is widely regarded as one of the greatest humorists of the 20th century. Right Ho, Jeeves! is his second in a series of books written about a luckless young British millionaire named Bertram Wooster and his sharp valet, Jeeves.

It is WWI and Canada has entered the war. Young men enthusiastically join up while mothers and sweethearts stay behind and fill the jobs that once were only for men. Rilla, the youngest of Anne and Gilbert’s children, struggles to find how she can possibly contribute. At first frustrated by being the “baby sister,” she soon is challenged by opportunities that will change her beyond her wildest imaginings. This is a coming-of-age story with all the lovable aspects of the first Anne book, yet with a compelling sense of historical immediacy.

Sense and Sensibility follows the fortunes of sensible Elinor and her volatile younger sister, Marianne, as each searches for a spouse—a quest made urgent by the family’s financial embarrassment. While Elinor pursues the heart of clergyman, Edward Ferrars, Marianne impulsively falls in love with a glamorous but unscrupulous adventurer, Willoughby. Elinor sees trouble brewing but the enraptured Marianne does not. The sisters question each other’s choices in love.

Emma is a vivacious twenty-year-old, who has spent her life in the pleasant seclusion of a village community and who lives with her widowed valetudinarian father. Most of the neighbors admire and approve of her, except for George Knightley, a local landowner, who often expresses his disapproval of Emma’s highhanded and controlling tendencies, in particular her assumption of the unofficial role of matchmaker.

The plot follows the usual trajectory of a young girl falling in love and the relationship becoming compromised by unforeseen circumstances. In this case, Austen’s heroine is a naïve country girl, Catherine Morland, who has an addiction to reading the Gothic horror novels which were so popular in the Regency period. When she is invited to stay at the family seat of her love interest and discovers it to be a vast and ancient castle, her romantic imagination runs riot. What secrets lie hidden in this vast pile over which the widowed head of the house exercises an iron control?

First published in 1813, Pride and Prejudice is the most polished of Jane Austen’s novels, with a humorous and upbeat mood. It was written at a time when the author’s narrative powers were fully developed and the story flows with an ease that conceals the skill of its construction. The plot line follows the sequence of a love relationship apprehended, misunderstood, and finally realized, which has since become a standard format of the romcom genre. However, Austen complicates the action by involving not one but four romantic relationships in the plot.

Thomas Love Peacock was a linguist, scholar and East India Company official. He had a wide circle of literary friends, including Coleridge and Shelley, and his early works were poems, some of a considerable length. In 1815 his first novel, Headlong Hall, was published, and between that year and 1831, he published a further five novels. His final completed novel, Gryll Grange, was written in 1860 and published the following year. Peacock also produced a number of articles on literary and historical subjects, and some other long poems, which have faded into obscurity.

The focus in Melincourt is the operation of the "rotten borough" which corrupted the English electoral system until the reform bill of 1832. A rotten borough was a constituency that had been established by royal prerogative but had subsequently lost most of its population. Nevertheless, it still retained the right to have two representatives in the House of Commons. On the other hand, many population centers which had expanded rapidly during the Industrial Revolution were not entitled to any electoral representation.

Although his work has somewhat fallen into obscurity, Alexander Ostrovsky (1823-1886) is considered to be one of the greatest of Russian dramatists. He was one of the pioneers of a realistic style, which later found exponents in celebrated European dramatists like Ibsen and Strindberg. Of Ostrovsky's 47 plays, one of the best known is The Storm, the portrait of an idealistic young woman trapped in a world of crushing and venal orthodoxy. The Storm formed the basis of Janacek's opera, Katya Kabanova.

Stephen Leacock was a prolific and brilliant writer, whose tongue-in-cheek writings have been amusing Canadian fans for decades. He first published Winsome Winnie in 1920 as part of a compendium of short stories entitled Winsome Winnie and Other New Nonsense Novels. It relates the trials and tribulations of the recently orphaned and penniless Winnifred Clair.

The Amelia Butterworth Mysteries is a series of three novels featuring Amelia Butterworth teaming up with Ebenezer Gryce. Miss Butterworth is a nosy high-society lady whose wealth and lack of family give her plenty of free time in which to solve several Victorian-era crimes.

In 1907 New Thought author James Allen published a verse anthology entitled Poems of Peace. Included in the collection is his sole dramatic work, Eolaus, which describes the journey of a troubled pilgrim from the wilderness of worldly despair to the heights of personal realization.

This collection of 64 short poems has become a classic work of children’s literature. The poems are written from the point of view of a child. The author brilliantly recaptures the magical world of childhood innocence, in which the most mundane of experiences can become a source of wonder.